1,720,995 research outputs found
Mission en Loetschental (Suisse)
No full textMacherel Claude. Mission en Loetschental (Suisse). In: L'Homme, 1972, tome 12 n°2. pp. 136-139
Macherel (Claude) Un purgatoire alpin (Loetschental)
No full textMacherel (Claude) Un purgatoire alpin (Loetschental). In: Archives de sciences sociales des religions, n°67/2, 1989. p. 222
N. Belmont, Mythes et croyances dans l'ancienne France
No full textMacherel Claude. N. Belmont, Mythes et croyances dans l'ancienne France. In: L'Homme, 1974, tome 14 n°3-4. pp. 170-171
S. Tax Freeman, Neighbors. The Social Contract in a Castillan Hamlet
No full textMacherel Claude. S. Tax Freeman, Neighbors. The Social Contract in a Castillan Hamlet. In: L'Homme, 1974, tome 14 n°3-4. pp. 171-172
F. G. Bailey, Gifts and Poison: The Politics of Reputation.
No full textMacherel Claude. F. G. Bailey, Gifts and Poison: The Politics of Reputation. . In: Études rurales, n°48, 1972. pp. 172-173
N. Belmont, Arnold Van Gennep, créateur de l'ethnographie française
No full textMacherel Claude. N. Belmont, Arnold Van Gennep, créateur de l'ethnographie française. In: L'Homme, 1975, tome 15 n°3-4. Du mariage et de l'inceste. pp. 221-223
Un purgatoire alpin (Lœtschental)
No full textAn Alpine Purgatory (Lœt-schental).
Rendering homage to H.-B. de Saussure, the article first collects and situâtes the ethnographie notations done by the naturalist at the bottom of the Mont-Blanc, concerning the next world représentations, associated with the high mountain. Then, it carefully visits an area from the next world, the Purgatory, as it was seen, in the first half of the 20th century, in the Lœtschen Valley. Then, from J. Le Goff great work, the author builds a model of the Purgatory. The confrontation of the ethnographie data and the model leads to a few analytical suggestions, by examining the mental consistency of these representations : what has been done to make credible a life belonging at the same time to the next world and here below ?L'article commence par rassembler et situer, en hommage à H.-B. de Saussure, les notations ethnographiques faites par le naturaliste au pied du Mont-Blanc concernant les représentations de l'au-delà associées à la haute montagne. Il visite ensuite en détail un secteur de l'au-delà, le Purgatoire, tel qu'on se le représentait, dans la première moitié du XXe siècle, dans la vallée de Lœtschen (Haut-Valais). Puis l'auteur tire, du grand ouvrage de J. Le Goff, un modèle du Purgatoire. La confrontation des données ethnographiques et du modèle conduit enfin à formuler quelques suggestions analytiques, en s'interrogeant sur la consistance mentale de ces représentations : comment s'y est-on pris pour réussir à rendre crédible une vie qui participe à la fois de l' ici-bas et de l'au-delà ?Macherel Claude. Un purgatoire alpin (Lœtschental). In: Le Monde alpin et rhodanien. Revue régionale d’ethnologie, n°1-2/1988. La haute montagne. Visions et représentations de l'époque médiévale à 1860. pp. 87-112
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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