1,720,956 research outputs found

    A teatralidade do malandro do samba de gafieira

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    Trabalho de conclusão de curso (graduação)—Universidade de Brasília, Instituto de Artes, Departamento de Artes Cênicas, Licenciatura em Artes Cênicas, 2020.O trabalho apresentado é um estudo sobre as técnicas utilizadas para o treinamento corporal do ator aplicadas ao estudo da corporeidade do Malandro do Samba de Gafieira. Pretende-se apresentar a hipótese de que tais artifícios facilitam e ampliam a compreensão das possibilidades infinitas existentes para a construção do Malandro de cada dançarino. Para este fim foi realizado um breve estudo histórico dos dois principais momentos de significância do Malandro: sua origem e ressignificação enquanto figura sócio cultural, seguido pela correlação entre samba de gafieira e teatro a partir da experiência pessoal da autora e por fim a descrição de um laboratório piloto já aplicado e estruturado com base em exercícios aprendidos durante a graduação, afim de proporcionar a dançarinos de salão o contato e a experimentação de exercícios teatrais previamente selecionados.The presented work is a study about the techniques used for the corporal training of the actor applied to the corporeal study of the Malandro from Samba de Gafieira. It is intended to present the hypothesis that such devices facilitate and expand the understanding of the infinite possibilities that exist for the construction of the Malandro of each dancer. To this end, a brief historical study was carried out of the two main moments of significance of the Malandro: his origin and resignification as a socio-cultural figure, followed by the correlation between Samba de Gafieira and theater from the author's personal experience and finally the description of a pilot laboratory already applied and structured to provide ballroom dancers with the contact and experimentation of previously selected theatrical exercises

    Entre corpo e tempo : uma narrativa dos processos corporais e das pré cenas na montagem realizada na diplomação em Interpretação Teatral

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    Trabalho de Conclusão de Curso (graduação)—Universidade de Brasília, Instituto de Artes, Departamento de Artes Cênicas, 2019.Esta monografia investiga os processos corporais na montagem do espetáculo ContrAção, montado a partir de cenas da Trilogia da Indignação e das cenas da peça Contra a liberdade , ambas do espanhol Esteve Soler, a partir da narrativa do processo dentro da turma de Diplomação em Interpretação Teatral da Universidade de Brasília (2019). Pretende também reconhecer e pontuar os mecanismos necessários para acessar os personagens através do corpo. A pesquisa tem por foco o corpo do ator nos meus momentos pré cena e a relação entre corpo e tempo. Para isso ele analisou a construção de 4 personagens (a criança, a foca, o homem que criou uma religião, e o homem que presenciou um acidente) desse processo de montagem através das pesquisas dos autores: Constantin Stanislavski, Eleonora Fabião, Eugenio Barba, Renata de Lima Silva, César Cola e Marilena Chauí. Além disso reflete sobre os momentos de “Fluxo” e “Estado Cênico”.This monography investigates the ‘body process’ of the actor in the production of ‘ContrAção’ a play composed by scenes from Indignation Trilogy and Against Freedom of the spanish Esteve Soler (Spain), from the narrative of the process in the Diplomation Class (part 2) of the Art Institute of the University of Brasilia (2019). It also aims to recognize and point the mechanisms needed to access the characters through the body. This research focuses on the actor's body in pre-scene, and the link between two concepts: body and time. For this, it analyzes the process that led to the origination of 4 character roles in the play( the kid, the seal, the man who created a religion, the man who witnessed an accident) in this process, through selected works of the authors: Constantin Stanislavski, Eleonora Fabião, Eugenio Barba, Renata de Lima Silva, César Cola and Marilena Chauí, to analyze moments of ‘Flow’ and ‘Scenic State’ in the ator experience during the pre-scene moments

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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