1,721,146 research outputs found

    On the Nature of Chemical Bonding in gamma-Boron

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    The chemical bonding in γ-boron has been discussed, based on the known crystal structures of the new recently discovered phase. The unexpected polarity of some B-B bonds and a sensible electron counting scheme are presented. The relationship between the chemical bonding and the material hardness is also discussed. © Allerton Press, Inc., 2011

    Tilting vehicle and control system thereof

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    The patent is relative to architecture and control laws of a steer and tilt by-wire system for tilting vehicles. It is constituted by steer and tilting actuators which are driven by an electronic control unit to minimize the load transfer during cornering. With respect to traditional steer by wire systems, a mechanical link between the steer command and the wheels is maintained: this is a mechanical backup in case of electromechanical faults of the system

    Analysis of crystal field effects and interactions using X-ray restrained ELMOs

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    The purpose of this study is to assess the capability of X-ray restrained molecular wavefunction methods to reproduce the perturbation due to the crystal field. The effect of the crystal environment on the molecular charge densities has been thoroughly investigated experimentally and theoretically. However, the same analysis in terms of molecular orbitals is unprecedented. We specifically analysed the extremely localized molecular orbitals (ELMOs) because they allow for a valence bond like interpretation that is closer to the typical chemical reasoning. For a set of test molecules, we calculated first principles wavefunctions (called primary wavefunctions) and the corresponding scattered intensities (primary structure factors), which we afterwards used for X-ray restrained Hartree-Fock and ELMO calculations. This mimics the typical procedure of modelling wavefunctions from experimental X-ray diffraction, having the primary wavefunction as benchmark. This study follows a previous investigation concerning the effects of electron correlation, where it was shown that those subtle features could be retrieved only to a minor extent. The electric field generated by surrounding molecules is instead more substantial. Therefore, retrieving this information should be more successful and, in case, extremely useful for supramolecular chemistry and crystal engineering. The work also provides useful indications to experimentalists who want to exploit the potentialities offered by the X-ray restrained wavefunction methods

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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