8,180 research outputs found
The 'true use of reading' : Sarah Fielding and mid eighteenth-century literary strategies.
No full textPhDThe aim of this thesis is to explore, by examining her life and
works, how Sarah Fielding (1710-68) established her identity as an author.
The definition of her role involves her notions of the functions of
writing and reading.
Sarah Fielding attempts to invite readers to form a sense of ties
by tacit understanding of her messages. As she believes that a work
of literature is produced through collaboration between the writer and
the reader, it is an important task in her view to show her attentiveness
toward reading practice. In her consideration of reading, she has two
distinct, even opposite views of her audience: on the one hand a familiar
and limited circle of readers with shared moral and cultural values and
on the other potential readers among the unknown mass of people. The
dual targets direct her to devise various strategies. She tries to
appeal to those who can endorse and appreciate her moral values as well
as her learning. Her writings and letters testify that she is sensitive
to the demands of the literary market, trying to lead the taste of readers
by inventing new forms.
The thesis opens with an overview of Sarah Fielding's career,
followed by a consideration of her critical attention to the roles of
reading. I go on to examine the narrative structures and strategies
she deploys, with a particular emphasis on her use of the epistolary
method. The following chapter deals with her attention to the reading
of the moral message tangibly embodied in her educational writing. It
is followed by an analysis of the activity which earned her a reputation
as a learned woman. Various as the forms of her works are, they invariably
reflect her attempt to balance herself between the two demands of
inventiveness and familiarity
First person - Sarah Alghamdi
No full textABSTRACT
First Person is a series of interviews with the first authors of a selection of papers published in Disease Models & Mechanisms, helping early-career researchers promote themselves alongside their papers. Sarah Alghamdi is first author on ‘ Contribution of model organism phenotypes to the computational identification of human disease genes’, published in DMM. Sarah is a PhD student in the lab of Robert Hoehndorf at King Abdullah University of Science and Technology, Thuwal, Saudi Arabia, investigating artificial intelligence, specifically knowledge representation and reasoning over biomedical data
Sarah Fielding: Satire and Subversion in the Eighteenth-Century Novel
No full textThis study of Sarah Fielding (1710―68) is an original contribution to Fielding scholarship that has a dual purpose: to support those who are striving to re-introduce her to the modern literary landscape in an effort to restore her eighteenth-century literary standing, and to firmly establish Fielding as an early feminist writer. It is argued here that throughout her oeuvre Fielding challenged prevailing traditions that denied women a choice, particularly in education, employment and marriage. These themes are also considered in the political treatises of Mary Astell (1666―1731) and Mary Wollstonecraft (1759―97), who are now widely recognised as feminist writers.
It is further argued that Fielding’s subversion in fiction of the English patriarchal system is underscored by her unorthodox performance in the literary arena. This is fully explored alongside her use of sentimentalism as a literary tool with which she challenges her seemingly inhumane society. Fielding’s interest in ‘the Labyrinths of the Mind’ (in modern terms, human psychology) will also be addressed as will her placement in the history of feminism and her placement in the sentimental novel tradition. Fielding’s performance as a literary critic will be compared with the few female authors who, like her, dared to publish literary criticism during her writing career. Accordingly, extracts from Fielding’s novels and her two critical pamphlets will be thoroughly examined.
An updated biography of Fielding that is also included here will provide evidence for a further claim, that her fiction is autobiographical in part. A comprehensive account of Fielding’s performance as a literary critic forms the final chapter of this work. It is the first full-length examination of her contribution to the genre and includes an appraisal of her recently unearthed critical pamphlet entitled A Comparison Between the Horace of Corneille and The Roman Father of Mr. Whitehead (1750) that is yet to be formerly attributed to her. Ultimately this study of Fielding will go far beyond what has previously been written about this remarkable eighteenth-century author, particularly regarding her feminist activity
Sarah L. Blum Author Visit - Warrior Nurse: PTSD and Healing
No full textHear Sarah L. Blum, author of Women Under Fire: Abuse in the Military, discuss her newest book, Warrior Nurse: PTSD and Healing followed by a Q&A and book signing.
Sarah L. Blum is a decorated Vietnam veteran who served as an operating room nurse during the intense fighting of 1967. In recognition of her service, she was awarded the Army Commendation Medal.
Sponsored by CWU Veterans Center and CWU Libraries.https://digitalcommons.cwu.edu/libraryevents/1252/thumbnail.jp
Reading: Grace Paley, Carolyn Wright, and Crystal Maclean-Field
No full textIn this audiovisual recording from Wednesday, March 21, 1979, as part of the 10th Annual UND Writers Conference: “Epitomes, Bombast & Climaxes,” Grayce Ray, Carolyn Wricht, and Crystal Maclean-Field read selections of their poetry. Grayce Ray reads “Going Past Ogema to White Earth,” “Letter to My Daughter,” “[Since Hindsight is 20-20],” “Letter Home,” “Biology Lab,” “Fox Hunt,” “Transformation,” “Winter Poem,” “Poem for Some Small Cafe,” “The Fry Cook,” “The Waitress: Crazy Sarah,” “The Hotel Manager,” “The Janitor,” “The Bookkeeper,” and “Looking for Fiddleheads.” Crystal Maclean-Field reads “My Mother is Sleeping,” “Hubbard Lake,” “Thirteen Pictures of a Sister,” “My Sister\u27s Leather Bag,” “The Lilac Blue Ceramic,” “I am Jealous,” “The Good Woman,” “The Good Man,” “We Decided,” “In Your Room Looking For the Animal,” “I Will Not Look Away,” “The Therapist,” and “The Dilettante.” Carolyn Wricht reads “The Cosmic Scholar,” “Insomnia and its Meters,” “The Morning Mail: A Brief Irreverie,” and “Leaving the House I Grew up in.”
Introduced by Joan Eades.
A portion of this reading wasn\u27t recorded
A critical analysis of the plays of Sarah Daniels.
Get PDFAs one of the forerunners of 'second wave' feminist playwriting, Sarah Daniels has for the
past fifteen years been one of Britain's most prolific writers for the stage. This thesis is the
first to offer a detailed critical analysis of all her published plays along with a developmental
account of her career. My approach throughout is text-based and non-prescriptive,
although I do at certain points indicate where Daniels reflects or voices differing feminist
perspectives. I also consider, beginning in Chapter Three, the critical reception and
'gendered' reviewing the playwright has received over the years.
The thesis is organised into five chapters with an Afterword. Chapter One, the
Introduction, offers an overview of Daniels' career as well as certain key characteristics of
her work. In Chapter Two I analyse the early plays, Ripen Our Darkness, The Devil's
Gateway and Neaptide, and consider in particular how they reflect, along with other
women's playwriting at the time, certain ideals of the Women's Liberation Movement.
Chapter Three is devoted entirely to Masterpieces, Daniels' most controversial and, on
many levels, successful play to date. Chapter Four is an analysis of the 'history plays',
Byrthrite and The Gut Girls. In addition to giving voice to women traditionally silenced in
and by history, these plays (especially Byrthrite) also echo particular strands of modern
feminist debate. Chapter Five examines Daniels' plays of the 1990s (Beside Herself, Head-
Rot Holiday and The Madness of Esme and Shaz) with their central theme of 'women and
madness'. This is also a fitting theme with which to conclude the thesis as it brings together
and expands on the most significant motif running throughout the playwright's work. In the
Afterword I consider the effect of Esme and Shaz's critical reception on Daniels, as well as
her current 'work in progress'. Finally, the two Appendices provide a chronological table of
Daniels' productions and a list of subsequent professional productions as well as awards
Vietnam Veteran Sarah Blum
No full textAuthor Sarah Blum discusses her experience in Vietnam and her book, Women Under Fire: Abuse in the Military. Blum, ARNP is a decorated nurse Vietnam veteran who earned the Army Commendation Medal serving as an operating room nurse at the 12th Evacuation Hospital Cu Chi, Vietnam during the height of the fighting in 1967.
Sarah shares her experience in Vietnam, her path to healing PTSD, and her 34-years of experience healing others.https://digitalcommons.cwu.edu/libraryevents/1245/thumbnail.jp
Copies of letters from Thomas James Lempriere to George Maclean from Macquarie Harbour and Daily Strength Register of the troops stationed there, Van Diemen's Land, 1846-7
Get PDFCopies of letters from Thomas James Lempriere (1796-1852) public official, author and artist who served as Commissariat at Sarah Island (1827–30) to George Maclean, Deputy-
Commissary-General, from Sarah Island, Macquarie Harbour, Van Diemen's Land, dated 18 June 1846-26 Oct 1847, reporting provisions and work of the prisoners sent to get huon pine etc. The letters of the 18 and 26 October 1846 report arrival, inadequate habitation (houses having been burnt down) and prisoners refusal to work on building. The second document is a Daily Strength Register of the troops stationed at the Military Establishment, Macquarie Harbour, April 1846-Oct 1847 including a list of Convict passholders. RS78/1-
'F- F- Felt it': Breathing Feminist, Queer and Clown Thinking into the Practice and Study of Sarah Kane’s Cleansed and Blasted
No full textThis thesis uses studio practice, scholarly research, close reading of text, performance observation and conversation with practitioners to establish diverse readings of Sarah Kane’s Cleansed. It includes original material from the 2012 productions of Cleansed in Japan (Kamome-za Fringe Theatre), and in Ireland (Bare Cheek Theatre). It notes practice on Cleansed in gallery spaces (Cast-Off Drama, UK). It offers a dramaturgical approach to workshopping the play from a feminist and queer position, informed by theories of gender and transgender, and the marginalised, loving and delinquent practice of clowning. The research discusses principles of breath, voice and sexuate difference drawing primarily on the philosophies of Luce Irigaray, on the voice practice of Cicely Berry and the clown teaching of Sue Morrison.
The work challenges the ‘in-yer-face’ theatre discourse on Kane arguing that it represents a McDonaldization of its subject matter, and an insidious trivialisation of her texts. It offers new thinking on the opening night of Blasted (1995), suggesting that the ‘furore’ was fuelled by collective male hysteria and superstition; its roots centred in mourning. Analysing Cleansed in relation to Edward Bond’s Saved and Lear, it explores tropes of ghosts, stitching and the silent scream, and argues that Kane militates for gynocentric time and becoming. It analyses the symbol of the perimeter fence as a feature of 1980s Britain, noting the strength of binary associations configured in it with reference to both English football hooliganism (male) and the Greenham Common Women’s Peace Camp (female). It argues that Kane sets up heteronormative binaries in Cleansed to debate and contest them.
A key conclusion of the thesis is that Cleansed politically addresses and dramatises issues of transgender experience presenting accounts of gender violence, mutability, transitioning, the sharp fractures and silences of gender dysphoria, but also, ultimately, queer desire, love and optimism
Volatile substance misuse: a review of interventions
No full text[Extract] This review examines published and unpublished literature about interventions designed to combat volatile substance misuse (VSM), defined as the deliberate inhalation of a volatile substance in order to achieve a change in mental state. The review is an updated edition of one initially published by the Cooperative Research Centre for Aboriginal and Tropical Health as Petrol Sniffing in Aboriginal Communities: a Review of Interventions (d’Abbs & MacLean, 2000). Whereas the earlier review was restricted in scope to petrol sniffing, the updated review covers other forms of VSM such as inhalation of aerosol paints, and other settings besides remote Indigenous communities
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