2,442 research outputs found
Jill Mellick, August 29, 1948 - December 20, 2022
No full textJill Mellick, Ph.D. author, multi-media artist, Jungian psychologist and Professor Emerita, passed away December 20, 2022
Jill McCorkle, 30th Annual ODU Literary Festival
No full textJill McCorkle is the author of five novels and three story collections including Creatures of Habit, The Cheerleader, and Ferris Beach. Her work has appeared in Atlantic Monthly, Ploughshares, Best American Short Stories, The Southern Review, and New Stories from the South, among other publications. She has received the New England Book Award, the John Dos Passos Prize, and the North Carolina Award for Literature. Currently, McCorkle is on the faculty at North Carolina State University as the Lee Smith Writer in Residence
Author Meets Critics: Jill North, Physics, Structure and Reality
No full textCommentary and responses from 2022 Eastern APA book symposium for Jill North's Physics, Structure and Reality
Animal welfare education - can MOOCs contribute?
No full textJill MacKay, Fritha Langford and Natalie Waran were three of the lecturers on the University of Edinburgh’s massive open online course (MOOC) on animal welfare and behaviour that began in July. Here, they assess its global appeal and judge its success
Things long forgotten: a collection
No full textCollection of various fictional short works.M.A.by Jill ProtokowiczWilling sacrifice -- Another goddamn deal with the devil -- All around you -- Fanning the flames -- Marble suitors -- Frozen live
Jill Falconer
No full textPhotograph - Jill Falconer standing beside a Christmas Tree, Athabasca, Albert
Already Doin' it for Ourselves?:Skeptical Notes on Feminism and Institutionalism
No full textLet us first lay our cards on the table: We are both invested in the “feminist institutionalist project” and have highlighted the potential benefits of such a synthesis in earlier interventions (Kenny 2007; Lovenduski 1998; Mackay and Meier 2003; see also Lovenduski 1998). However, in this essay we sound a cautionary note and urge a more skeptical approach. We pose the questions: Why does feminism need new institutionalism? What do neoinstitutionalist approaches contribute to feminist scholarship on political institutions, broadly defined? When considering the potential for intellectual “borrowing” between feminism and new institutionalism, it is important to consider whether new institutional theory is “an enabling framework—or an intellectual strait-jacket” for feminist scholarship (Mackay and Meier 2003, 6). The question, then, is not only what the new institutionalism can contribute to feminist research but also what scope there is to “gender” the new institutionalism
Public Reading & Conversation with Jill Talbot
No full textJill Talbot is the author of The Last Year: Essays (Winner of Wandering Aengus Press Editor’s Prize, August 2023), as well as The Way We Weren’t: A Memoir and Loaded: Women and Addiction, a collection of personal essays. Her writing has appeared in literary journals such as AGNI, Brevity, Colorado Review, Diagram, Gulf Coast, Hotel Amerika, Lit Mag, River Teeth: A Journal of Narrative Nonfiction, and The Paris Review Daily and has been recognized seven times in TheBest American Essays annual series. She is Associate Professor of Creative Writing and a University Distinguished Teaching Professor at the University of North Texas
Kitty & Jill
No full textKitty & Jill is a lesbian romance dramedy musical adapted from the novel Jill by Elizabeth Amy Dillwyn, an openly-lesbian author in the 19th century. Set in 1884 industrial Victorian England, Kitty & Jill follows dual protagonists: Jill Trecastle, who runs away from her home in high society in order to forge a new life and identity for herself; and Kitty Mervyn, another young high society woman who decides to go on a sketching trip and hires Jill to be her traveling-maid, leading to the two of them falling in love. Throughout their chaotic adventure, Kitty and Jill must learn how to be honest with themselves in the face of high society façades. The score is inspired by Victorian era music, classic Broadway, and modern musical theatre; and the tone of the show combines historical Victorian-era high society language with pepperings of modern-day jargon, as a tool of emphasis upon the fact that this is a piece of classical literature being revitalized in the present day. Instrumentally, the music is strings-and-piano-heavy, along with various pitched and unpitched percussion instruments.https://remix.berklee.edu/graduate-studies-cmat/1005/thumbnail.jp
LAI Craft Talk: Literary Arts Institute Writer in Residence, Jill Talbot
No full textJill Talbot is the author of The Last Year: Essays (Winner of Wandering Aengus Press Editor’s Prize, August 2023), as well as The Way We Weren’t: A Memoir and Loaded: Women and Addiction, a collection of personal essays. Her writing has appeared in literary journals such as AGNI, Brevity, Colorado Review, Diagram, Gulf Coast, Hotel Amerika, Lit Mag, River Teeth: A Journal of Narrative Nonfiction, and The Paris Review Daily and has been recognized seven times in TheBest American Essays annual series. She is Associate Professor of Creative Writing and a University Distinguished Teaching Professor at the University of North Texas
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