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    Conclusion: Lawfare: Law’s Contemporary State

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    The International Law Department at War in Gaza

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    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Human rights litigation and the transition from policing to warfare:the case of Israel and its governance of the West Bank and Gaza in the Al-Aqsa Intifada

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    This article explores the relationship between human rights NGOs and state/military policies in the case of Israeli organisations operating in West Bank and Gaza. The article focuses on a period of fundamental change in Israel’s management of the West Bank and Gaza unfolding alongside the Al-Aqsa Intifada, a transition from a framework of policing to a framework informed by the logic of war. It argues that NGO litigation, in this case, aided broader legal/political shifts that drifted away from a human rights agenda. Based on the Israeli/Palestinian case, the article aims to contribute to scholarship critically reflecting on human rights NGOs’ position vis-à-vis the state and broader geo-political processes of change. © 2017, published by Taylor and Francis. The attached document (embargoed until 09/04/2019) is an author produced version of a paper, uploaded in accordance with the publisher’s self- archiving policy. The final published version (version of record) is available online at the link below. Some minor differences between this version and the final published version may remain. We suggest you refer to the final published version should you wish to cite from it

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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