1,720,968 research outputs found
PAWS: a framework for processes with adaptive web services
The Processes with Adaptive Web Services framework couples design-time and runtime mechanisms to flexibly and adaptively execute managed Web-services-based business processes
Context Management for Adaptive Information Systems
AbstractModern technologies enable users accessing services using multiple channels. In the service design phase, this poses additional requirements for high software adaptivity along different technical requirements and different user expectations. During execution, services are usually dynamically selected; this service selection phase requires the identification of the most suitable service along the context that characterizes the users in the time instant in which they send the service request. This paper focuses on the selection phase and it aims at providing a framework to define and manage the context in a general environment characterized by adaptivity and multichannel access. An example to demonstrate the suitability and feasibility of the framework is provided referring to the MAIS (Multichannel Adaptive Information Systems) architecture and considering services related to the tourism domain. The MAIS architecture aims at providing automatically and efficiently services with the appropriate features by choosing among many provider offerings
Exception Handling for Repair in Service-Based Processes
This paper proposes a self-healing approach to handle exceptions in service-based processes and to repair the faulty activities with a model-based approach. In particular, a set of repair actions is defined in the process model, and repairability of the process is assessed by analyzing the process structure and the available repair actions. During execution, when an exception arises, repair plans are generated by taking into account constraints posed by the process structure, dependencies among data, and available repair actions. The paper also describes the main features of the prototype developed to validate the proposed repair approach for composed Web services; the self-healing architecture for repair handling and the experimental results are illustrated
Using Stateful Activities to Facilitate Monitoring and Repair in Workflow Choreographies
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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