1,720,960 research outputs found

    Propedeutica al progetto

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    Testo introduttivo al volume che illustra l’attività condotta all’interno dei Laboratori del disegno tenuti presso la Facoltà del Design del Politecnico di Milano nell’a.a. 2000/2001

    VIVERE il VIAGGIO, lo spazio della crociera

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    Mobilità territoriale, modelli di trasformazione culturale, temporale e psicologico. Qual’è il significato del viaggio e del viaggiare oggi? La progettazione dello spazio del viaggio diventa l'oggetto di studio della ricerca

    Yacht Design for Nature: A One-Way Navigation That no One Can Escape Anymore

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    In the habits, legends, and traditions of peoples living on the sea, activities have developed that have taken them farther and farther from land, as far as where the sea presents itself in all its immense unpredictability. However, the development of new technologies has allowed us to have a new approach to the marine environment: on the one hand it tests its carrying capacity, and on the other it attempts to propose new solutions of livability. Pleasure boating since its inception has been an opportunity to approach the sea with pleasure and deep interest; however, in its becoming these goals have frequently been lost sight of. With industrial and economic development, many shipyards have allowed yachting to become an opportunity to show off an exclusive and unapproachable lifestyle, leading to an increasing display of status-symbol, often distant from the marine environment. In this regard, the intention of this paper is to emphasize how, in addition to the importance of recent technological developments relating to more efficient propulsion systems and new materials, boating still lacks sensitivity to the authentic spirit of going to sea. The intention is to emphasize the importance of boating as an experience and an opportunity for human reconnection with nature. Therefore, the aim is to highlight that, however useful and innovative they may be, new technologies are not sufficient for an ecological approach to navigation, but that what is lacking is a new spirit towards boating, both for designers and users. This may be the key to new design and organizational ideas for a sector that is increasingly capable of influencing the economy of the area in which it insists

    How Covid-19 Will Affect the Cruise Ship Projects.

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    This paper analyses the problems observed on cruise ships during the Covid-19 pandemic and proposes a series of changes in the design of passenger ships to face similar pandemics to allow the cruise ship market to re-open. The hospital facilities on board play a key role in this

    Disegno – Laboratori del primo anno

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    Il volume illustra l’attività condotta all’interno dei Laboratori del disegno tenuti presso la Facoltà del Design del Politecnico di Milano. Prendendo a riferimento l’a.a. 2000/2001, esso non si configura come testo didattico quanto, piuttosto, come rendiconto di una sperimentazione didattica che ha progressivamente portato ad affiancare all’insegnamento tradizionale del disegno forme di rappresentazione non grafiche (fotografia, modellistica ecc), per approdare, attraverso gli anni, all’attuale formula del laboratorio multidisciplinare. Collocati al primo anno del corso di studi, tali laboratori propongono pertanto un approccio complessivo ai problemi della rappresentazione, privilegiando una metodologia didattica di tipo induttivo e tenendo conto delle specificità che l’insegnamento del disegno presenta in una scuola di design rispetto ad una facoltà di architettura o di ingegneria

    Floating Nautical Heritage. Case Studies and Experimental Proposal for Proximity Museums

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    Floating Nautical Heritage is part of the Italian Cultural Heritage. Within the mission of the PNRR, it is considered to be a strategic branch for the economic, social, and cultural recovery of our country. In this scenario, Design for Cultural Heritage promotes good practices to reconnect heritages, their users and stakeholders through digital technologies and by enhancing the tangible heritage and their intangible dimension. Thanks to this preface, the paper focuses on Nautical Heritage. It is characterized by a great variety of typologies of goods, both material and intangible, which are currently barely enjoyable. Nevertheless, it has great potential from the economic, social, and cultural points of view. By including the Floating Nautical Heritage in the context of the Design for Cultural Heritage, the authors show innovative strategies focused on the concept of museum of proximity. Two case studies are proposed as pilot experiments that are eventually transferable to others in Italy and abroad

    La modellazione come strategia conoscitiva e creativa

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    Nell'ambito del volume che illustra l’attività condotta all’interno dei Laboratori del disegno tenuti presso la Facoltà del Design del Politecnico di Milano nell’a.a. 2000/2001, il contributo consiste in una riflessione incentrata sull’esperienza condotta all’interno del laboratorio di cui l'autore è stato docente e coordinatore

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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