727 research outputs found
Time and eternity. The medieval discourse. Edited by Gerhard Jarttz and Gerson Moreno-Riaño
No full textCounet Jean-Michel. Time and eternity. The medieval discourse. Edited by Gerhard Jarttz and Gerson Moreno-Riaño. In: Revue Philosophique de Louvain. Quatrième série, tome 104, n°2, 2006. pp. 406-408
Redbird Buzz Episode 20: Dr. Sarah Gerson \u2706, March 28, 2023
No full textDr. Sarah Gerson ’06 is a developmental psychologist at Cardiff University in Cardiff, Wales. In the fall of 2020, she was lead author for an internationally publicized study, published in the journal Frontiers in Human Neuroscience, which used neuroscience for the first time to investigate the impact of doll play on children. Gerson earned a bachelor’s degree in psychology from Illinois State University in 2006 and later received a Ph.D. from the University of Maryland. She’s now in her seventh year researching and teaching at Cardiff, and she is featured in the spring 2023 State alumni magazine
Notícia o Gersonovi (A Note on Gerson)
No full textAnalysing the political attitudes of professors at Paris University in the 1st third of 15th century, the author focuses on Jean Gerson who courageously opposed the ideological constructions of his contemporaries that were unscrupulously serving power struggles. In the next part she draws attention to the Altar of five Johns, where Gerson is depicted in the company of four renowned saints and proceeds by reflection on relation of the altar painting’s donor Johan Henckel to the personality of Jean Gerson and its significance for our historical narrative
Ulsterczyk o imieniu Achilles
No full textSchade Gerson, An Ulsterman Named Achilles (Ulsterczyk o imieniu Achilles).A new novel by an English-writing author turns out to be a careful reworking of the story of Achilles, as it is told by Homer. The article elucidates how the modern text works and suggests how it may relate to an ‘Irish’ gaze. A new term, décalage, is introduced to describe a particular poetic device that belongs to the many ways of establishing intertextuality.Schade Gerson, An Ulsterman Named Achilles (Ulsterczyk o imieniu Achilles).A new novel by an English-writing author turns out to be a careful reworking of the story of Achilles, as it is told by Homer. The article elucidates how the modern text works and suggests how it may relate to an ‘Irish’ gaze. A new term, décalage, is introduced to describe a particular poetic device that belongs to the many ways of establishing intertextuality
GERSON DIGITAL – CYFROWA MONOGRAFIA HISTORYCZNOARTYSTYCZNA
No full textGerson Digital is the first of the digital monographies published on-line by the Dutch Rijksbureau voor Kunsthistorische Dokumentatie (RKD) in The Hague. The monography is a revised and updated version of the now classical work by Horst Gerson, Ausbreitung und Nachwirkung der holländischen Malerei des 17. Jahrhunderts, Haarlem 1942). The scope of the so far published fragment is the chapter on Poland and the influences of the Dutch painting here. Gerson Digital is a very fine and scrupulous piece of editorial and translation work, but its novelty lies rather in the form: it has been published as a digital text interlaced with data (pictures, bibliography, person and artist indexes) that are drawn directly from vast databases which RKD has been building up for the past decades. The text is not therefore enclosed within the borders encircled by the author and his editors, but opens up to other resources. Reader may at some point abandon the text to follow an interesting thread by themselves. Gerson Digital clearly demonstrates the importance of databases for research in art history. Bibliographies, indexes, digital libraries, digital photo collections, and the like should no longer be understood as tools appropriate only for data storage and retrieval but also – and with time maybe primarily – as cornerstones of synthetic interpretation.Gerson Digital to pierwsza z serii monografi cyfrowych publikowanych przez holenderskie Rijksbureau voor Kunsthistorische Dokumentatie (RKD) w Hadze. Monografia jest przejrzaną i uzupełnioną wersją klasycznej już dziś pracy Horsta Gersona, Ausbreitung und Nachwirkung der holländischen Malerei des 17. Jahrhunderts (Haarlem 1942). Dotychczas opublikowany fragment obejmuje swym zasięgiem Polskę. Gerson Digital to edycja przygotowana bardzo pieczołowicie pod względem przekładu i redakcji, lecz jej nowatorstwo tkwi raczej w formie: jest to tekst w postaci cyfrowej, przepleciony rozmaitymi danymi (fotografiami, bibliografią, indeksami osobowymi), które odsyłają wprost do bogatych zasobów bazodanowych, zgromadzonych przez RKD w minionych dziesięcioleciach. Tekst nie jest przez to ograniczony ramami nakreślonymi przez autora i wydawców, lecz pozwala na przechodzenie do zasobów zewnętrznych. Czytelnik może więc porzucić lekturę na rzecz samodzielnego poszukiwania informacji w interesującej go kwestii. Gerson Digital jasno pokazuje, jak ważne są zasoby bazodanowe dla badań w zakresie historii sztuki. Bibliografie, indeksy, biblioteki cyfrowe i cyfrowe fototeki, nie powinny być odtąd postrzegane jedynie jako narzędzia do przechowywania i wyszukiwania danych, lecz raczej – a z czasem może: przede wszystkim – jako budulec, z którego powstają opracowania o syntetycznym charakterze
Orientalismos periféricos? O historiador goês José Gerson da Cunha (Bombaim, 1878)
No full textBy analysing a text written in 1878 on Portuguese orientalism in India throughout the 16th and 17th centuries and its author, José Gerson da Cunha, this article questions notions of centre and periphery, cosmopolitism, and marginality in relation to the places of knowledge production and their agents. Through the confrontation of Gerson da Cunha’s historiographical references and its reflexivity, and a text written on the same subject by the Portuguese scholar Sousa Viterbo, the article explores: how did the places from where they were writing influenced their historical perspective and how these places determined the place occupied by Gerson da Cunha within the historiographical canons established subsequently
Were Juan Gerson the Illustrator and Gaspar de Torres the Author of the Voynich Codex?
No full textThe bizarre Voynich Codex, discovered in 1912 in Italy by the Polish book dealer Wilfrid Voynich (1864-1930), is written in a coded language with has eluded decipherment despite repeated attempts by world renowned cryptologists. Plant, animal, and mineral identifications as well as iconographic evidence indicate that the Voynich Codex is a 16th century work of New Spain. A typographical ligature based on the initials “JGT” in the first botanical image (folio 1v) suggests that artist was Juan Gerson, Tlacuilo, indigenous painter known for the apocalypse paintings in the monastery Asuncion de Nuestra Senora of Tecamachalco. The name “Gasp. Torres” also embedded in the first botanical image suggests that the author could be Gaspar de Torres, medical doctor, estate lawyer, master of students at the College of Santa Cruz in Tlatelolco from 1568-1572, and Governor of Cuba in 1580. Iconographic similarities between the paintings of Juan Gerson and the Voynich Codex, along with a biography of Gaspar de Torres provide additional support for this conjecture.</jats:p
Orientalismos periféricos? O historiador goês José Gerson da Cunha (Bombaim, 1878)
No full textPartindo de um texto escrito em 1878 sobre o orientalismo português na Índia dos séculos XVI e XVII e do seu autor, José Gerson da Cunha, este artigo questiona conceitos de centro e periferia, cosmopolitismo ou marginalidade nas suas relações com os lugares de produção e os agentes de conhecimento. Ao confrontar as referências historiográficas e reflexividade da abordagem de Gerson da Cunha com as características nacionalistas de um texto sobre o mesmo tema do erudito português Sousa Viterbo, procura-se ver como é que os lugares influenciaram a perspectiva histórica e determinaram o lugar ocupado por Gerson da Cunha nos cânones historiográficos instituídos posteriormente.À partir d’un texte écrit en 1878, sur l’orientalisme portugais dans l’Inde des XVIe et XVIIe siècles, et de la trajectoire de son auteur, José Gerson da Cunha, cet article interroge la relation que les concepts de centre, périphérie, cosmopolitisme ou de marginalité, établissent avec les lieux de production et les agents de connaissance. En confrontant les références historiographiques et la réflexibilité de l’approche de Gerson da Cunha, avec les caractéristiques nationalistes d’un texte de l’érudit portugais Sousa Viterbo, on cherche à comprendre comment les lieux influencèrent la perspective historique et déterminèrent la place occupée par Gerson da Cunha dans les canons historiographiques postérieurement institués.By analysing a text written in 1878 on Portuguese orientalism in India throughout the 16th and 17th centuries and its author, José Gerson da Cunha, this article questions notions of centre and periphery, cosmopolitism, and marginality in relation to the places of knowledge production and their agents. Through the confrontation of Gerson da Cunha’s historiographical references and its reflexivity, and a text written on the same subject by the Portuguese scholar Sousa Viterbo, the article explores: how did the places from where they were writing influenced their historical perspective and how these places determined the place occupied by Gerson da Cunha within the historiographical canons established subsequently
EKSPLORASI BUDAYA NTT DALAM NOVEL GERSON POYK
No full textThis article aims to describe the exploration of NTT\u27s culture in the novels by Gerson Poyk as one of the national writers, Angkatan `66. This NTT-born author writes novel literary works by raising cultural traditions as a characteristic, the identity of the NTT people, cultural traditions with the values ​​contained in them that are lived and preserved, although some have begun to disappear by the influence of modern culture. The uniqueness of Gerson Poyk is that he is able to raise the cultural background of NTT with its vast territory into his novels with a straightforward, expressive, and high aesthetic style of expression. Not only limited to cultural traditions but tourism development, agricultural cultivation, commercial crops, livestock, fisheries, handicrafts. Through a number of his novels, Gerson Poyk explores the culture that exists in the life of the people of NTT which can be used as a character of Indonesian culture. This research uses the theoretical basis of sociology of literature with the emphasis that the novel is actually a form of socio-historical embodiment, where novels can witness paintings of social and social reality. history, into a genre that is close to social phenomena. Using qualitative research methods in literature studies can describe, understand, and explain the exploration of NTT culture in the novel by Gerson Poyk. Exploration of NTT culture as a character of Indonesian culture in Gerson Poyk\u27s novel, 1) exploring the cultural elements of the knowledge system towards the love of the NTT people to study, 2) exploring the cultural elements of the kinship and kinship system of the love of the NTT people to maintain relationships, 3) exploring the cultural elements of the system. livelihoods towards the love of the people of NTT doing work, 4) exploring the cultural elements of the religious system towards the love of the people of NTT in carrying out religious traditions, and 5) exploring elements of art culture towards the love of the people of NTT in the arts and culture
- …
