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Atti del workshop “I sistemi informativi e l’organizzazione nelle banche: gli impatti di Ias e Basilea II”,
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A survey of critical success factors in e-Banking: An organisational perspective
No full textWe investigate organisational factors critical to the success of e-Banking (EB). Scholars report that a variety of factors are vital to EB success. A shortcoming in the extant EB literature is that much of the research focuses on a small subset of success factors and an overall ranking of factors is still missing. Our aim, therefore, is to synthesise and test the critical success factors (CSFs) identified in the existing literature, thus, substantiating or not the factors purported to be critical. To achieve our aim, we created a survey instrument from a synthesis of CSFs identified from existing EB and e-commerce literature. We draw upon the e-commerce body of knowledge to take in the widest set of CSFs that can affect EB. Data were collected from U.K.-based financial sector organisations that offer EB services. We found the most critical factors for success in EB are: quick responsive products/services, organisational flexibility, services expansion, systems integration and enhanced customer service. Our research shows that organisations need to manage their EB initiative at a strategic level and treat it as business critical rather than simply a technical or operational issue. They need to pay attention to internal integration, which includes channels, technology and business process integration, and improving the overall services to their customers. © 2007 Operational Research Society Ltd. All rights reserved
On a complete parametric Sturm-Liouville problem with sign changing coefficients
Get PDFIn this paper we study a complete second order differential equation of Sturm-Liouville type under Dirichlet boundary condition and where the variable coefficients are allowed to be sign changing. Through critical point theory, we obtain the existence of two nontrivial generalized solutions by requiring a specific growth on the nonlinearity. Moreover, the solutions turn out to be nonnegative and with opposite energy sign
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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