1,721,842 research outputs found
Fatal sotalol poisoning.
No full textSotalol [4-(2-isopropylamino-1-hydroxyethyl)-methane-sulfonanilide hydrochloride] is a beta-adrenergic blocking agent. Despite the widespread use of these drugs, poisonings are not frequent. In this report the authors describe the first recorded case of fatal sotalol overdosage to their knowledge. The results of toxicological analysis, performed by a specially developed method, are presented, and compared with findings in fatal intoxications with other beta-adrenergic blocking agents
New records and ecological data on the alien species Colasposoma dauricum and Luperomorpha xanthodera (Coleoptera: Chrysomelidae) in Italy
Full text linkNew records and ecological data on the alien species Colasposoma dauricum and Luperomorpha xanthodera (Coleoptera: Chrysomelidae) are provided for Italy. C. dauricum was collected during the summer of 2021 in Verbania (Piedmont), close to the border between Lombardy and Switzerland, on Rubus ulmifolius Schott, a new host plant for the species. L. xanthodera was collected both in semi-natural environments and in close proximity to gardens and greenhouses. Interestingly, among the newly reported records, the presence of L. xanthodera in the vicinity of Lago Fimon (Veneto) in 2007, only one year after its first detection in Italy, suggests that this species may have been introduced in the Country multiple times
Livelli di morfina e di codeina e problemi cronologici negli avvelenamenti letali da oppiacei
No full textStudio sulla casistica mortale ( avvelenamento da oppiacei) con particolare attenzione al dato analitico su quello morfologico. Sono stati presi in esame otto casi ed indagati numerosi tessuti. Si presentano i risultaqt
Uncommon superficial angiomyxoma of the vulva complicated with condyloma acuminatum and Staphylococcus hominis infection: a mere example of gynecological immunocompromised district
No full textLa nuova normativa in tema di tossicodipendenze nei suoi aspetti medico-pratici
No full textCon l'approvazione nel dicembre 1975 della nuova e vigente disciplina delle sostanze stupefacenti e psicotrope e degli stati di tossicodipendenza da essi sostenuti , la patologia da sostanze stupefacenti è venuta ad interessare, dall'ambito specialistico medico-legale o pasichiatrico, il medico pratico sempre più di frequente. Si osserva un viraggio culturale che riconosce il "tossicodipendente" come persona bisognosa di cure. la legge riconosce il carattere di "malattia" della dipendenza fisica o psichica da principi farmacologici
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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