1,721,006 research outputs found
Il modello di civil law, 3. edizione
No full textLo sviluppo del modello di civil law dal medioevo alla globalizzazione
Le radici comuni del diritto europeo. Un cambiamento di prospettiva
No full textAvvertenza
Capitolo primo - Gaio nero
1. Un cambiamento di prospettiva
2. L'elaborazione delle origini occidentali
3. Una critica del Genio Occidentale
4. La fine della ideologia Occidentale
Capitolo secondo - Diritto romano attuale. Mappe mentali e strumenti concettuali
1. L'anacronismo essenziale
2. Europa "romana"
3. Storia dei dogmi continentali
4. Common law da scientificizzare
5. Terra incognita dell’Europa orientale
6. Roma globale?
Capitolo terzo - Da Roma a Washington
1. Roma
2. Roma giusta
3. Roma razionale
4. Roma nazionale
5. Roma fascista
6. Roma postfascista
7. Roma marxista
8. Washingto
The Fascist Theory of Contract
No full textKeywords and formalisms of the debate on juridical fascism
A possible way out: the comparison with juridical National Socialism
Comparisons between fascist and national-socialist private law: in particular the debate on the value of Roman Law
National Socialism and the law of contracts: from the bilateral juridical transaction to the agreement for exchange of goods and services
Fascism and the law of contracts between tradition and innovation
Protection of the weaker contracting party in juridical Fascism and National Socialism
The law of contracts in the Fascist and National Socialist Courts
The law of contracts "fascist malgré soi
Le radici comuni del diritto europeo : Un cambiamento di prospettiva
No full textAvvertenza
Capitolo primo - Gaio nero
1. Un cambiamento di prospettiva
2. L'elaborazione delle origini occidentali
3. Una critica del Genio Occidentale
4. La fine della ideologia Occidentale
Capitolo secondo - Diritto romano attuale. Mappe mentali e strumenti concettuali
1. L'anacronismo essenziale
2. Europa "romana"
3. Storia dei dogmi continentali
4. Common law da scientificizzare
5. Terra incognita dell’Europa orientale
6. Roma globale?
Capitolo terzo - Da Roma a Washington
1. Roma
2. Roma giusta
3. Roma razionale
4. Roma nazionale
5. Roma fascista
6. Roma postfascista
7. Roma marxista
8. Washingto
Manuale del nuovo contratto
No full text1. Promesse vincolanti, atti unilaterali e contratti ad una sola dichiarazione
2. Offerta e accettazione
3. La causa: qualificazione e liceità degli accordi
4. Prova e interpretazione del contratto
5. Le difese contro la vincolatività del contratto
6. Le clausole e i temrini contrattual
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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