1,792,431 research outputs found

    Grandi speranze. Traduzione con introduzione e note di Massimiliano Morini

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    Una nuova traduzione con introduzione, note, nota biografica e bibliografia essenziale di Great Expectations (1860-1) di Charles Dicken

    Massimiliano Balduzzi: Research in Physical Training for Performers

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    This essay begins the process of contextualizing and analyzing Massimiliano Balduzzi’s solo physical training practice by introducing six newly created video documents. It locates Balduzzi’s work in a wider historical and artistic context – touching upon the work of Konstantin Stanislavski, Jerzy Grotowski, and Eugenio Barba, as well as acrobatics, martial arts, and Balinese dance – while arguing that the documented physical training constitutes an original research contribution to the field of embodied technique. The essay has three main purposes: First, to give verbal articulation to some important aspects of Balduzzi’s practice, as he begins to teach more widely in New York City and beyond. Second, to test and develop a theoretical framework that conceives of embodied technique as a field of knowledge in which rigorously framed research can and does give rise to new knowledge in the form of new technique. Third, to explore the epistemological status of multimedia documentation through a focused case study. Each of these goals has the potential to expand and clarify current discussions of actor and performer training, movement analysis and documentation, and practice-as-research

    The Knowability Paradox in the light of a Logic for Pragmatics

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    The Knowability Paradox is a logical argument showing that if all truths are knowable in principle, then all truths are, in fact, known. Many strategies have been suggested in order to avoid the paradoxical conclusion. A family of solutions –ncalled logical revision – has been proposed to solve the paradox, revising the logic underneath, with an intuitionistic revision included. In this paper, we focus on so-called revisionary solutions to the paradox – solutions that put the blame on the underlying logic. Specifically, we analyse a possibile translation of the paradox into a modified intuitionistic fragment of a logic for pragmatics (KILP) inspired by Dalla Pozza and Garola in 1995. Our aim is to understand if KILP is a candidate for the logical revision of the paradox and to compare it with the standard intuitionistic solution to the paradox

    Prefazione [a La diplomazia italiana e gli equilibri mediterranei]

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    Introduzione al volume di Daniele Caviglia e Massimiliano Cricco sulla politica estera italiana nel Mediterraneo, 1967-73.Introduction to the volume by Daniele Caviglia and Massimiliano Cricco on Italian foreign policy in the Mediterranean, 1967-73

    GHEDDAFI E LA NUOVA STRATEGIA DEL PETROLIO IN LIBIA (1970-73)

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    Volume a cura di Massimiliano Guderzo, Matteo Luigi Napolitan

    Introduzione

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    edited by Massimiliano Rossi and Fiorella Gioffredi Superb

    MUSEO MAXXI, LOVE WILL SAVE THE WORLD 31 OTTOBRE 2019 LECTIO MAGISTRALIS DI: MASSIMILIANO E DORIANA FUKSAS.

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    L’appuntamento al MAXXI Museo nazionale delle arti del XXI secolo è per “Love will save the world”, la Lectio magistralis di Massimiliano e Doriana Fuksas. Massimiliano e Doriana Fuksas approfondiranno il tema dell’abitare in epoca contemporanea a partire dai principali progetti disegnati e realizzati dallo Studio Fuksas, concentrandosi in particolare sul rapporto con il territorio e con i luoghi del vivere quotidiano come aeroporti, uffici e centri commerciali. A seguire si terrà una performance live, durante la quale gli architetti reinterpreteranno alcune grandi lastre in gres porcellanato disegnate dallo Studio Fuksas. Intervengono: Doriana e Massimiliano Fuksas; Margherita Guccione; Luca Ribichini

    LESS AESTEHETICS MORE ETHICS - BARCELONA METAPOLIS

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    Architetto Invitato (spazio METAPOLIS) Padiglione Centrale de l ́Arsenale e le Corderie Biennale Di Venezia 2000, 18 de junio de 2000. Spazio destinato ala la piataforma di ricerca Metapolis (dirs. Manuel Gausa, Vicente Guallart e Willy Muller) al padiglione centrale della Biennale di Venezia diretta e curata per Massimiliano Fuksa

    Saga di Gautrekr

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    traduzione, postfazione e note a cura di Massimiliano Bamp

    Prefazione di Massimiliano Bassetti

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    Il testo ricostruisce il contesto relativo alla ricerca finanziata (PRIN) in cui si inserisce la monografia cui è premess
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