2,600 research outputs found
The pictorial wit of Domenico Tiepolo
No full textThis thesis takes a new approach to Domenico Tiepolo’s (1727-1804), Divertimento Per li Regazzi (c.1795-1804), it is arguably the artists most enigmatic graphic work, which features the commedia dell’arte character Pulcinella. The drawings have hitherto been subject to rigorous connoisseurial analysis. Indeed, in his introduction to ten of the drawings in a catalogue of Italian Eighteenth-Century Drawings in The Robert Lehman Collection at the Metropolitan Museum of Art, New York, James Byam Shaw states that this particular series of drawings has now become so famous ‘that it is hardly necessary to add to the literature of the series.’1 In my opinion it would be a great pity if future generations of scholars were discouraged by this remark, for I believe the drawings still have much to ‘tell’ the contemporary art historian and would further benefit from increasingly interpretative readings. Previously, scholars have regarded Domenico Tiepolo as an imitator of his father, Giambattista Tiepolo (1696-1770), and interpreted the re-appropriation of motifs in the Divertimento as signs of old age and fatigue. I suggest, on the contrary, that in this series of drawings in particular, Domenico was an innovator.
This project carves out new territories within the study of the series in that it focuses on the playful nature of the drawings, and how the suite can be understood in relation to contemporary theory concerning games and play, and ludic musical/improvisatory forms. Additionally, the drawings are discussed as a case history in a now popular emerging dialectic on the late works of aged artists: here I consider how these drawings, often funny, poignant, sensitive and delicate reveal how the elderly painter reconciles himself not only to the passing of his own life and the extinction of his family line but to an entire political, cultural and visual tradition
Dicierie sacre del Cavalier Marino
No full textSegundo impresor tomado do colofónSign.: a\p6\s, []\p2\s, a-Z\p12\s, 2A\p12\s, 2B\p4\sError de pax. repite a p. 155Port. grav. calcTexto con apostilas marxinai
Rifare dalle rovine. Città di scheletri a Pescopagano.
No full textRifare dalle rovine. Città di scheletri a Pescopagano. Responsabile Scientifico: Cherubino Gambardella, Gruppo di ricerca: Efisio Pitzalis, Marino Borrelli, Luca Molinari, Lorenzo Capobianco, Gianluca Cioffi, Francesco Costanzo, Corrado Di Domenico, Maria Gelvi, Fabrizia Ippolito, Raffaele Marone, Concetta Tavoletta. Dottoranti: Francesca Filosa, Marco Pignetti, Luigi Arcopinto
Studenti: Antonella Lanzano, Federica Leone
Progetto esposto nella sezione Università per La Biennale di Venezia 202
Un esempio precoce di Speaking Likeness tra Vouet e Bernini: il Giovanni Battista Marino di Cochet in San Domenico a Napoli
No full textIl contributo esamina il busto di Giovanni Battista Marino in San Domenico a Napoli riconducendolo allo scultore francese Christophe Coche
Transcending Giambologna: Domenico Pieratti and his experiments
No full textThe author maps out the career of Domenico Pieratti (Florence, 1600 - Rome, 1656), sheding light on this remarkable brilliant and highly original sculptor at the service of the Medici and Barberini
Accessibilità e cultura. Il contributo della ricerca artistica agli studi organizzativi
No full textAccessibility is an increasingly decisive factor in contemporary society. It involves the transformation and sometimes the reconsideration of social and organizational spaces so that they do not present barriers for anyone, regardless of their physical, psychological, or social characteristics (a particularly important issue for people with disability). In addition to the implementation of devices that enable navigation through spaces (from ramps to elevators, from auditory signals to traffic lights to tactile paths), accessibility is increasingly related to cultural and artistic production (audio description, subtitles, voice-overs, AI-based image descriptions, speech synthesis). In this article, we address this theme through a dialogue between organizational studies and artistic research. After a critical review of actual debates about accessibility, with a focus on disability studies, the article inquires how contemporary artistic and cultural experiences are addressing the issue. We highlight how those experiences can contribute to develop new and groundbreaking perspectives in organizations
Nuovi dati su Giuseppe Amato Pojero e la Biblioteca filosofica di Palermo. Misticismo, esoterismo e sette iniziatiche,
No full textDomenico Venier's Poetics and Petrarchism in Sixteenth-Century Veneto
No full textreservedIl presente elaborato si propone di indagare il fenomeno del petrarchismo cinquecentesco in area veneta, concentrandosi in particolare sulla figura di Domenico Venier, tra i più rappresentativi interpreti della lirica petrarchesca nel contesto veneziano del XVI secolo. Attraverso un’analisi delle principali istanze tematiche e stilistiche rintracciabili nella sua produzione poetica, la tesi intende delineare un profilo letterario dell’autore che tenga conto non solo della tradizione petrarchesca, ma anche delle caratteristiche culturali e sociali del contesto lagunare. Particolare attenzione è riservata al cenacolo venieriano, luogo privilegiato di scambio intellettuale e di sperimentazione poetica, che svolse un ruolo significativo nella diffusione e nella rielaborazione del canone lirico stabilito da Pietro Bembo nella prima metà del Cinquecento. La tesi prende inoltre in esame la ricezione critica della poesia di Venier, con l’obiettivo di ricostruire le diverse prospettive interpretative che hanno contribuito a delineare l’immagine letteraria del poeta nel corso dei secoli.This thesis aims to investigate the phenomenon of sixteenth-century Petrarchism in the Veneto region of Northern Italy, with a particular focus on the figure of Domenico Venier, one of the most prominent exponents of Petrarchan lyric poetry of the time. Through an analysis of the main thematic and stylistic features that characterize his poetic production, the study seeks to outline a literary profile of the author, considering not only the Petrarchan tradition but also the cultural and social characteristics of the Venetian context. Special attention is given to Venier’s social circle, a privileged space for intellectual exchange and poetic experimentation, which played a significant role in the dissemination and reworking of the lyric canon established by Pietro Bembo in the first half of the sixteenth century. The thesis also examines the critical reception of Venier’s poetry, aiming to reconstruct the various interpretative perspectives that have contributed to shaping the poet’s literary image throughout the centuries
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