1,721,012 research outputs found
From Sydney to Beijing: The evolution of the photographic coverage of Paralympic Games in five European countries
The growth of the Paralympic Movement during the last few decades has been reinforced significantly by the Olympic reform process, particularly as the efforts of the IOC 2000 Commission fortified the relationship between Olympic and Paralympic Committees. However, this development is scarcely illustrated in the world media arena; several scholars draw attention to the dearth of coverage of elite athletes with disabilities in popular media. This article examines preliminary data regarding the evolution of the photographic coverage of five European countries over an eight-year period, from Sydney (2000) to Beijing (2008). The journalistic attention, as highlighted by the number of published images, has been raised during this period, and the coverage of female and male athletes matched the demographics of these five European countries. However, the data also reveals that the competitiveness and the abilities of Paralympic athletes are not highlighted, the majority of the images did not depict the athletes in action, but rather as motionless. © 2011 Taylor & Francis
Crossed analyses of a sport photograph. Sport photojournalism and disabled athletes: Presentation of body and meaning production
This paper presents three analyses, separately constructed by three researchers, of the same sport press photography, made by Bob Martin (sport photojournalist) during the Athens Paralympic Games in 2004. The first one, which has a sociological approach, compares the studied photo to those of a diachronic corpus of disabled swimming's photos produced in France. The second one, which is more semiotic, casts a synchronic glance by placing the image in the rhetoric chain of the sport's photography and in the photographer's production. The third one relates the image's composition to the thesis of the liminal situation of disabled people, which symbolizes the social place they are assigned. The goal of this work - which is the result of interactions in a methodological interdisciplinary seminar - is to lead to an epistemological and methodological reflexion about the conditions in which images are used in social sciences; the richness, the interests and limits of their use as data in the study of the disabled's social representations as well as their evolution will be particularly considered. © 2009 Association ALTER
Contested issues in research on the media coverage of female Paralympic athletes
The Paralympic Games are considered to be the second biggest sporting event in the world, after the Summer Olympic Games, however, research on the media coverage of athletes with disabilities is in its infancy. More specifically, there is a lack of studies focusing on whether quantitative and qualitative differences exist in the manner in which the female and male Paralympic athletes are represented in the print media. In contrast, there is an extensive body of scholarly research on the differential media treatment of female and male Olympic athletes. This article includes three aspects: (1) a brief summary of the media coverage of non-disabled female athletes, with the aim of providing some research indicators that could be used in analogous studies of Paralympic sport; (2) the examination of the limited media literature on the portrayals of female and male Paralympic athletes; and (3) a discussion of possible future research in this relatively unexplored, area of media, gender and Paralympic sport. © 2011 Copyright Taylor and Francis Group, LLC
The media coverage of female athletes with disability. Analysis of the daily press of four European countries during the 2000 Sidney Paralympic Games
Data concerning mediatization of the female athletes are showing that on the one hand, women are less represented than men and, on the other hand, their image is frequently sexualized. In addition, contrary to men, media often focuses on their social roles as mother, wife, etc, i.e. female athletes are frequently portrayed in scenes non related with the sports dimensions. It is also known that media treatment of disabled athletes is quite different from those of others athletes. But, which are the peculiarities concerning media treatment of female athletes with disabilities? In the present study a qualitative and quantitative analysis of the Paralympic Games in Sydney 2000 has taken place, including 108 articles from German, English, Spanish, and French newspapers. Our data shows that, contrary to what was expected, women with disabilities are not specially underrepresented compared to men; quantitatively there is no presence of a specific stigmatization. But a qualitative analysis of texts and photos shows that a stigmatization process is taking place through a more insidious form: the female Paralympic athletes are largely “infantilized” and “trivialized” (Jones et al., 1999) in the newspapers which cover the Paralympic Games
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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