1,720,954 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Gender, Culture and Manifest Oppression: A Study of the Film, Ozhimuri
The dialogue, the film, Ozhimuri initiates, is that of a class, the oppressed. As against the conventional patterns of duals oppressor and oppressed, powerful and powerless, man and woman and traditional and modern, Ozhimuri unravels a kind of unique pattern of human existence where the comparative stance are fluid terrains. It reveals the inherent ideology of oppression as projected through the patriarch Thanu Pilla, and the matriarch Kali Pilla. On a later stage it reveals the oppressed face of the oppressors. The Film, with a shocking cipher to the prejudiced, a divorce petition from a lady past sixty, in view of regaining her property and identity from a man past seventy, opens a new perspective on violence, power and revolt. The present paper aims at deciphering the mysterious and mixed threads, the clues to which are given in the voice and silence of the characters. The objectives include searching: the oppressed in the film, what makes the oppression, the key forms of oppression, the culture and the oppression and /oppressed, how the economic, ownership oriented thoughts added to the dilemma of the oppressed, the role of the institution of marriage to enhance oppression and the possibilities of divorce out of love versus marriage out of hatred. The paper also throws light of the way, how the history of a place and community turns to be the history of the oppressed. By comparing the characters that are oppressed, but holding power, the study throws light on understanding polyphonic nature of the knowledge and beliefs justified, related to existence in general and gender, culture and individual in specific.
 
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
Questioning Culture through Postmillennial Indian English Novels: A Study of Asura, the Tale of the Vanquished and The Oath of Vayuputras
Literatures after the millennial-turn retreated to the cultural wisdom in search of the thread for fiction. In addition to grafting the old ideas with the new tongue, recent writers such as Anand Neelakantan and Amish Tripathi explored the possibilities of reinstating Gods in manly light. This typical strategy has also broken the codes of traditional positioning of genres like criticism, creative writing or history in separate cubicles. Asura, the Tale of the Vanquished by Anand Neelakantan and the Oath of Vayuputras by Amish Tripathi convincingly substitute Rama and Shiva, the Avatar and the God, with men, the King and the leader of certain cultural groups. In this way the works seem to celebrate but problematize worship existed in the brahminical culture. A closer view gives the impression that they subvert the brahminical views and re-sacrilize the marginalized cultural heroes of folk tradition. A third glance will draw our attention to the stirring of culture of destruction, in favor of construction. The present study, moving beyond the normative ways, focuses on these pluralities. The major objective of the study includes finding out the answers to the questions, history can answer, about the survival of certain kinds of belief in the cultural erosion. The paper by comparing the matter and manner of these fictional narratives opens up a promising way to read fiction for critical insights on culture and history. 
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