1,731,392 research outputs found
On the Pre-Anniversary Biographies of M. Yu. Lermontov
Статья поступила в редакцию 03.10.2014 г.В статье дан обзор жизнеописаний М. Ю. Лермонтова, изданных накануне юбилея поэта. В центре внимания — своеобразие интерпретаций ключевых событий творческого и жизненного пути классика. Охарактеризована манера письма и индивидуальный стиль биографов. Обозначена проблема отсутствия научной биографии М. Ю. Лермонтова.The article reviews a number of M. Yu. Lermontov’s biographies published on the eve of the poet’s upcoming birthday anniversary. The author focuses on the interpretations of the key events of the classic’s artistic journey and life. The author characterizes the biographers’ individual manner and style emphasizing the absence of a scholarly biography of M. Yu. Lermontov
M. Yu. Lermontov’s Wills: on the Writer's Artistic Evolution
Статья поступила в редакцию 14.09.2014 г.Рассматриваются стихотворения М. Ю. Лермонтова «Дереву», «Завещание» («Есть место: близ тропы глухой...»), «Завещание» («Наедине с тобою, брат…»), а также заметка «Мое завещание», имеющие отношение к жанровой традиции завещания. Устанавливается воздействие на Лермонтова народнопоэтической традиции «отдавания наказов» (ямщицкие и солдатские песни), что позволяет углубить представление об особенностях фольклоризма поэта и направлении его творческой эволюции.The author studies M. Yu. Lermontov’s poems To a Tree, The Testament (There is a place), The Testament (Brother, I'd like to be alone with you) along with his My Will that are all rooted in the genre of the will. The article studies the influence folk poetic tradition of giving orders (coachmen’s and soldiers’ songs) had on Lermontov which allows the author to acquire a deeper understanding of the peculiarities of the poet’s folklore background and the directions of his artistic evolution
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Local “Georgian” Text in the Works of M. Yu. Lermontov: Aspects of Cultural Anthropology
The author raises the problem of the typology of the image of the «Caucasian» or «man of the East» in the work of M. Yu. Lermontov. The fundamental differences between the image of the Georgian as a component of the local Georgian text of the poet, the features of Lermontov’s representation of the “other” culture in the historical and literary context are revealed.Автор поднимает проблему типологии образа «кавказца», или «человека Востока», в творчестве М. Ю. Лермонтова. Выявляются принципиальные отличия образа грузина (грузинки) как составляющей локального «грузинского» текста поэта, особенности репрезентации Лермонтовым «другой» культуры в историко-литературном контексте
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Artistic Expression of Russian National-Cultural Concept of River in M. Yu. Lermontov’s Works
The author’s individual artistic expression of the concept of RIVER in the artistic world of M. Yu. Lermontov is considered. The aim of the research is a complex philological (linguistic and literary) analysis of the RIVER concept in the Russian national conceptual sphere through the prism of its aesthetic transformation in M. Yu. Lermontov’s works. The materials of the research are the data of lexicographical sources - the main etymological, explanatory and special dictionaries of the Russian language, and the texts of poetic and prose works by M. Yu. Lermontov. The research is based on the method of linguocognitive analysis of culturally significant concepts in the system of language and on the method of literary analysis of “toposes” as landscape elements, acting as integral principles of the organization of the total artistic world of the author. It is shown that Lermontov’s RIVER topos as a whole correlates with the meanings that are characteristic of the corresponding concept in the Russian national language consciousness, but the greatest relevance for the artistic world of Lermontov have values associated with the idea of the border, the boundary, as well as the idea of time, the idea of life and its course, the idea of death. The practical significance of the study is that its main results can be used in the teaching of cognitive linguistics, linguoculturology, the basics of conceptual analysis, theory of literature, history of Russian literature, as well as in the practice of compiling dictionaries of a new type - dictionaries of concepts (including educational), linguistic and cultural thesauruses and literary dictionaries of “toposes” of Russian literature
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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