1,722,868 research outputs found
[M. Roy Wilson, 2004-1]
No full textNegative of Dr. M. Roy Wilson, President of the Texas Tech University Health Sciences Center, taken on January 10, 2004
[M. Roy Wilson, 2004-2]
No full textNegative of Dr. M. Roy Wilson, President of the Texas Tech University Health Sciences Center, taken on January 10, 2004
Brian M. Roy floor exercise event
No full textA photograph of Springfield College gymnast, Brian M. Roy, competing in the floor exercise event. Roy is doing a split on the floor in front of a table of judges.Brian M. Roy graduated in 2001 from Springfield College. During his 1999 season, Brian was named a national champion of the floor exercise event
Ruane, R M (Roy Mark), NX1655
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/414639Surname: RUANE. Given Name(s) or Initials: R M (ROY MARK). Military Service Number or Last Known Location: NX1655. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 19083.234146
Item: [2016.0049.46900] "Ruane, R M (Roy Mark), NX1655
Williamson, R M (Roy Maxwell), NX42513
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/426204Surname: WILLIAMSON. Given Name(s) or Initials: R M (ROY MAXWELL). Military Service Number or Last Known Location: NX42513. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 40302.253067
Item: [2016.0049.58465] "Williamson, R M (Roy Maxwell), NX42513
Letter from Gabrielle M. Roy to Charlotte Michaud
Get PDFUndated letter from Gabrielle M. Roy to Charlotte Michaud.https://digitalcommons.usm.maine.edu/michaud-lepage/1002/thumbnail.jp
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
M. Roy, Les entreprises mixtes à capitaux chinois et étrangers
No full textÉtienne Gilbert. M. Roy, Les entreprises mixtes à capitaux chinois et étrangers. In: Tiers-Monde, tome 22, n°86, 1981. La Chine, sous la direction de Pierre Gentelle. pp. 483-484
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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