1,721,145 research outputs found
Attorno alla luce di Dante
No full textGli studi di Maria Corti sul De Vulgari Eloquentia e sul Convivio, che inseriscono a pieno titolo le due opere incompiute nell'ambito della "poesia" dantesca, si ricollegano alla partecipazione di Corti ai seminari di filosofia medievale tenuti negli anni '30 da Antonio Banfi all'Università degli Studi di Milano
Tra la rosa e gli angeli : Una variante del XXXI di Paradiso
No full textIl nuovo stemma dei manoscritti della "Commedia", che privilegia la tradizione emiliano-veneta rispetto alla più tarda fiorentina, consente di porre a testo alcune varianti che già per ragioni culturali e stilistiche apparivano come preferibili negli ultimi canti del "Paradiso"
Una figura sacrificale tra Ungaretti e Montale
No full textFenomeni di intertestualità tra il primo Ungaretti e l'ultimo Montale
Dante Laura la poesia : ancora sul sonetto 34
No full textIl sonetto n. XXXIV dei "Rerum volgarium fragmenta" può essere a buon diritto considerato come l''incipit della ''prima silloge'' del Canzoniere alla luce dei forti rapporti di intertestualità che lo legano a Dante Paradiso XXXI, 19-21
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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