1,721,018 research outputs found
Towards the setting up of an archaeometric data bank of the pottery produced in Italy
The aim of this paper is to present a project recently set up at the Free University of Berlin (Institute of Classical Archaeology) concerning the creation of a chemical data bank of archaeological ceramics produced in Italy (with particular reference to the classical age, but also including data on ceramics of medieval times). The core part of such data bank consists of chemical data (X-ray fluorescence method) obtained in the past at the «Laboratoire de Céramologie» of Lyon (M. Picon) and data acquired by chemical analyses carried out at the «Arbeitsgruppe Archaometrie» of Berlin (projects by G. Olcese)
Siegmar von Schnurbein, Die unverzierte Terra Sigillata aus Haltern. Mit einem Beitrag von J. Lasfargues und M. Picon
Raepsaet Georges. Siegmar von Schnurbein, Die unverzierte Terra Sigillata aus Haltern. Mit einem Beitrag von J. Lasfargues und M. Picon. In: L'antiquité classique, Tome 54, 1985. pp. 560-561
Terra sigillata italica a Roma e in area romana: produzione, circolazione e analisi di laboratorio
Ceramica in archeologia e in archeometria: qualche riflessione metodologica sulle determinazioni di origine
Les céramiques d’usage quotidien à Thasos au IVe siècle avant J.-C. (Études Thasiennes XX), by F. Blondé, with M. Picon (Book review).
Review of Les céramiques d’usage quotidien à Thasos au IVe siècle avant J.-C. (Études Thasiennes XX), by F. Blondé, with M. Picon (École Française d’Athènes 2007). In the American Journal of Archaeology 114 (4)
Il quartiere ceramico sotto la Chiesa di Santa Restituta di Lacco Ameno di Ischia e la produzione di ceramica e anfore in età ellenistica
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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