1,721,289 research outputs found
Messages of Pat M. Neff Governor of Texas to the thirty-seventh Legislature
No full textSpeech made by Pat M. Neff on the occasion of his inauguration as Governor of Texas, January 18, 1921
Western Union Telegram from Governor Pat M. Neff to John H. Shary
Full text linkTelegram from Governor Patt M. Neff sent to inform John H. Shary that the Sharyland Independent School District bill was now a law.https://scholarworks.utrgv.edu/johnshary/1099/thumbnail.jp
Messages of Pat M. Neff, Governor of Texas to the thirty-seventh legislature
No full textThis document is a message to the legislature of Texas from Governor Pat M. Neff. The document calls for political reform in many areas of the government and was written to encourage legislative law makers to take action
Telegram from Pat M. Neff, Jr. and Hallie Maude Neff Wilcox to Amon Carter and Family
Full text linkTelegram from Pat M. Neff, Jr. and Hallie Maude Neff Wilcox to Amon Carter and Family upon the death of Amon Giles Carter. The telegram expresses condolences about his death.https://mavmatrix.uta.edu/specialcollections_meachamcarterpapers/1358/thumbnail.jp
Speeches delivered by Pat M. Neff, Governor of Texas, discussing certain phases of contemplated legislation
No full textThis book contains a collection of speeches delivered by Governor Pat M. Neff. The subjects of those speeches include: the Constitutional Convention, the supremacy of the law, the educational system of Texas, the penitentiary system of Texas, building highways, industrial development, revision of tax laws, conservation, and reclamation. Also includes the inaugural address
Ethel M. Neff, (1888-1962), purchased by Mrs. Marjorie L. Krill on March 21, 1968.
No full textDocuments regarding the headstone for Ethel M. Neff, (1888-1962), purchased by Mrs. Marjorie L. Krill. The marker was placed at Memorial Park Cemetery, Lot 384, Section 1 in Sylvania, Ohio. The stone is duplicate of Mother Zora c. Neff (1866-1957), Robert W. Neff (1908-1943) and made of blue Grey granite with duplicate letter. Rubbings is included
[Letter from Pat M. Neff to T. N. Carswell - March 19, 1942]
No full textA letter addressed to Mr. T. N. Carswell, Abilene, Texas, from Pat M. Neff, President, Baylor University, Waco, Texas, dated March 19, 1942. Neff advises that the effects of alcohol are taught with other classes, but there are no classes so designated
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
- …
