1,866 research outputs found
Il laccio e la spada. Un modo di vedere la "polis"
No full textThis paper examines the themes explored in Façons tragiques de tuer une femme, focusing on the representation of female deaths in tragic theater and their broader cultural implications.
Following the perspective of N. Loraux, the portrayal of a woman’s death on stage reflects a specific vision held by the polis, laden with social and symbolic meanings. The first section, by L. Cerchiai, explores the concept of katharsis, examining how tragic theater stages the «unthinkable » and frames it from a male perspective, often expressed in sexualized terms. In the second section, M. Menichetti investigates the theme of «flight», particularly in female deaths by hanging or noose, as highlighted by N. Loraux. This section emphasizes the symbolic use of tools from the world of seduction as a means for women to achieve death and transcend their earthly constraints. Finally, E. Mugione addresses the absence of this theme in iconographic representations, contrasting it with its theatrical treatment. While this absence suggests a cultural
prohibition on representing such deaths visually, subtle iconographic hints imply indirect references to the tragic theme. Together, these perspectives reveal the complex interplay between gender, tragedy, and representation in classical contexts
Menichetti (M), ... Quoius forma virtutei parisumafuit... Ciste prenestine e cultura di Roma medio-republicana, 1995
No full textJannot Jean-René. Menichetti (M), ... Quoius forma virtutei parisumafuit... Ciste prenestine e cultura di Roma medio-republicana, 1995. In: Revue des Études Anciennes. Tome 101, 1999, n°1-2. pp. 286-287
Menichetti (M), ... Quoius forma virtutei parisumafuit... Ciste prenestine e cultura di Roma medio-republicana, 1995
No full textJannot Jean-René. Menichetti (M), ... Quoius forma virtutei parisumafuit... Ciste prenestine e cultura di Roma medio-republicana, 1995. In: Revue des Études Anciennes. Tome 101, 1999, n°1-2. pp. 286-287
AFATA (Active FAult Tectonic Analysis): a semi-automatic tool on ArcGIS.for estimating fault offset on superficial ruptures
No full textThe automation of data acquisition and calculation is advancing in many sectors. At the same time, the use of software and the difficulty, in certain cases, in programming languages could lead to various problems.
In relation to the automation of fault offset estimation, many authors have given their contribution (Stewart et al., 2018; Wolfe et al., 2020) combining steps in GIS environment with external programming languages.
AFATA is a new toolbox proposal for ArcGIS® based on Model Builder and on ArcPy language for the evaluation of the three components of rupture offset (vertical, horizontal and along plane offsets) of a normal fault. This tool, that only needs the use of GIS environment, is intuitive and does not require many steps from the user. The semi-automatic process allows the operator to modify and improve the shapefiles on which the analysis is carried out.
The AFATA main inputs are (i) line shapefiles, drawn by the operator, defining the two limits of the fault offset, and (ii) a slope raster obtained through a Digital Elevation Model (DEM) with a resolution comparable with the fault geometry. The result is a line shapefile containing the sampling transects whose frequency is chosen by the user along the fault plane. The measurements (maximum, minimum and average) of the three offset components and the value of the slope angle for each transect are shown in the attribute table. The application and validation of the proposed toolbox are located in the Central Apennines of Italy on the surface ruptures related to the 2016 earthquakes. The study area was surveyed with a digital geological field survey and with low-altitude aerial photos, using an Unmanned Aerial Vehicle (UAV). A 3D Virtual Outcrops
Model (VOM) was generated by the Structure from Motion – MultiView Stereo (SfM-MVS) photogrammetry (Westoby et al., 2012; Tavani et al., 2016); from this, a 0.009 m resolution ortophoto and a 0.02 m resolution DEM were derived for spatial analysis in ArcGIS 10.8.1.
The AFATA application may contribute to obtain a higher number of measurements by regularly scanning
the three components of the slip fault, in particular on ruptures difficult to access. The extent of the error for this tool primarily depends on the accuracy with which the user draws the limits; the estimated error obtained on the study area is about 10% of the total slip
Il culto di Artemide in Attica: dinamica rituale, contesti e network (VII sec. a.C. - II/III sec. d.C.)
No full textNel corso degli anni, nel panorama degli studi sull'Attica, diverse aree cultuali in onore di Artemide sono state studiate e pubblicate singolarmente dal punto di vista archeologico e topografico, mentre solo pochi studi si sono interessati a caratteristiche precise del culto e all'analisi delle fonti letterarie connesse, in particolar modo, al rito praticato nel santuario di Brauron. L'analisi e l'approfondimento attuati nel corso degli anni sull'apparato mitico relativo alla fondazione del culto di Artemide Brauronia, hanno permesso di rintracciare precise corrispondenze nella tradizione mitica relativa ad altri luoghi di culto dell'Attica quali il santuario di Artemide Munichia al Pireo e il tempio di Artemide Tauropolos ad Halai Araphenides, rivelando come nell'ambito del panorama cultuale attico il sistema dei santuari artemidei sia configurato come una sorta di ragnatela che trova il suo centro nel santuario di Brauron. Partendo da queste informazioni la ricerca è stata incentrata sullo studio delle diverse manifestazioni del culto di Artemide nella regione. Il fine non è stato tanto quello di evidenziare astrattamente le caratteristiche dell'essere oggetto del culto ma di chiarire gli elementi che ne hanno determinato: forma, funzione e significato all'interno di specifici ambiti culturali e di contesti precisi, interessati dall'esercizio di pratiche rituali da parte d'istituzioni, comunità e gruppi, rivelandone le dinamiche di continuità e trasformazione in un ambito cronologico compreso tra il VII sec. a.C. e il II/III sec. d.C. La ricomposizione dei contesti locali ha avuto come fine quello di delineare il sistema complessivo del paesaggio sacro legato al culto di Artemide, nelle sue interazioni reciproche, in modo da individuare i fattori che ne hanno determinato la centralità, la diffusione e la persistenza nel corso dell'arco cronologico preso in esame
Groundwater temperature as a natural tracer to characterize hydraulic behaviour and geometry of carbonate aquifers:Mt. Nerone karst system, central Italy
No full textTemperature variations in groundwater discharge from the Giordano karst system (northern Apennines) have been observed continuously for six months (from January 2016 to July 2016), to determine the flow patterns and geometrical properties of aquifer. The karst system discharge about 32.2 L/s on average during over the hydrological year and it’s characterized by two outlets: a basal continuous spring (BCS) with a mean discharge of 8.9 L/s and an upper-intermittent spring (UIS) with a mean discharge of 23.3 L/s, located about 60 m above the previous one. Results show significant difference in the two spring outlets between the time lags as well as non-simultaneous and not analogue responses of temperature (T) to the same recharge events: temperature of UIS range from 9.7 to 10.7°C whereas temperature of BCS remain rather stable, ranging from 9.8 to 9.9°C. This data suggests
a stratification of the water along the aquifer probably associated by different residence times and linked to the structural organization of karst aquifer (conduit and fracture networks): deeper and oldest water in the BCS and youngest water in the UIS
Il laccio e la spada. Un modo di vedere la "polis
No full textThis paper examines the themes explored in Façons tragiques de tuer une femme, focusing on
the representation of female deaths in tragic theater and their broader cultural implications.
Following the perspective of N. Loraux, the portrayal of a woman’s death on stage reflects a
specific vision held by the polis, laden with social and symbolic meanings. The first section,
by L. Cerchiai, explores the concept of katharsis, examining how tragic theater stages the «unthinkable
» and frames it from a male perspective, often expressed in sexualized terms. In the
second section, M. Menichetti investigates the theme of «flight», particularly in female deaths
by hanging or noose, as highlighted by N. Loraux. This section emphasizes the symbolic use of
tools from the world of seduction as a means for women to achieve death and transcend their
earthly constraints. Finally, E. Mugione addresses the absence of this theme in iconographic
representations, contrasting it with its theatrical treatment. While this absence suggests a cultural
prohibition on representing such deaths visually, subtle iconographic hints imply indirect
references to the tragic theme. Together, these perspectives revea
Etudes scientifiques dans deux grottes aménagées italiennes. Civita m. et al. -1990 Galdenzi S., Menichetti M. ed. -1990 -"Il carsismo della gola di Frasassi
No full textChoppy Jacques. Etudes scientifiques dans deux grottes aménagées italiennes. Civita m. et al. -1990 Galdenzi S., Menichetti M. ed. -1990 -"Il carsismo della gola di Frasassi. In: Karstologia : revue de karstologie et de spéléologie physique, n°17, 1er semestre 1991. p. 58
Etudes scientifiques dans deux grottes aménagées italiennes. Civita m. et al. -1990 Galdenzi S., Menichetti M. ed. -1990 -"Il carsismo della gola di Frasassi
No full textChoppy Jacques. Etudes scientifiques dans deux grottes aménagées italiennes. Civita m. et al. -1990 Galdenzi S., Menichetti M. ed. -1990 -"Il carsismo della gola di Frasassi. In: Karstologia : revue de karstologie et de spéléologie physique, n°17, 1er semestre 1991. p. 58
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