1,721,124 research outputs found
George M. Lott Tennis Center and Courts
No full text2323 N. Sheffield AvenueAerial view of the George M. Lott Tennis Center courts looking southeast.The George M. Lott Tennis Center and Courts originally stood on the site of the Sullivan Athletic Center.Buildings; Photographs and Illustration
George M. Lott Tennis Center and Courts
No full textAerial view of the tennis courts loking southeast.The George M. Lott Tennis Center and Courts originally stood on the site of the Sullivan Athletic Center.Buildings; Photographs and Illustration
George M. Lott Tennis Center and Courts
No full text2323 N. Sheffield AvenueAerial view of tennis courts looking southeast.The George M. Lott Tennis Center and Courts originally stood on the site of the Sullivan Athletic Center.Buildings; Photographs and Illustration
George M. Lott Tennis Center Courts
No full text2323 N. Sheffield Ave.View of the George M. Lott Tennis Center and Courts, facing east. The Sheffield Parking Garage is in the background.Future site of the Sullivan Athletic Center.Buildings; Photographs and Illustration
George M. Lott Tennis Center; Fullerton El Station
No full textGeneral view of people using George M. Lott Tennis center courts, with corner of Alumni Hall and steeples of St Vincent's Church in background.Buildings; Photographs and Illustration
George M. Lott Tennis Center and Courts
No full text943-47 W. Fullerton AvenueView looking southwest from the Fullerton "L" platform. The George M. Lott Tennis Center and Courts are to the right.Serving DePaul Univeristy's Lincoln Park campus, the Fullerton station was originally part of the Northwestern Elevated Railroad Company. The line from the Chicago Loop going north to Wilson Avenue opened in 1900. The Chicago Transit Authority (CTA) was created in 1945 and by 1947 the CTA took over all "L" and streetcar operations in the city.Buildings; Photographs and Illustration
Performance Evaluation of Point-to-Multi-Point (PMP) and Mesh Air-Interfacein IEEE standard 802.16a
No full text
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
- …
