1,721,091 research outputs found
M. Labbe (illustrateur 18..-19..) : signature [1919]
No full textM. Labbe (illustrateur 18..-19..) : signature [1919
M. Labbe (illustrateur 18..-19..) : signature [1919]
No full textM. Labbe (illustrateur 18..-19..) : signature [1919
Le petit soldat [couverture grand format] [illustration M. Labbe]
No full textLe petit soldat [couverture grand format] ; dédicace “A mon petit élève Monsieur Robert Zang” ; illustration M. Labbe ; musique de Hedwige Chrétien ; L. Maichochon éditeur, 31 place de la Madeleine, Paris ; ©1919 ; [intérieur : partition piano seul ; “chanson-marche” ; dédicace identique ; cotage WS284 ; Mounot Nicolas imprimerie ; Randon gravure] ; verso “spécimen n°6” (4 titres). Titre inconnu du catalogue BNF
Le petit soldat [couverture grand format] [illustration M. Labbe]
No full textLe petit soldat [couverture grand format] ; dédicace “A mon petit élève Monsieur Robert Zang” ; illustration M. Labbe ; musique de Hedwige Chrétien ; L. Maichochon éditeur, 31 place de la Madeleine, Paris ; ©1919 ; [intérieur : partition piano seul ; “chanson-marche” ; dédicace identique ; cotage WS284 ; Mounot Nicolas imprimerie ; Randon gravure] ; verso “spécimen n°6” (4 titres). Titre inconnu du catalogue BNF
Review of Placing Charlotte Smith, eds Elizabeth A. Dolan and Jacqueline M. Labbe
No full textA review of Placing Charlotte Smith edited by Elizabeth A. Dolan and Jacqueline M. Labbe, written by Heather Heckman-McKenn
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Optimization models for the delay management problem in public transportation
No full textPassengers travelling in public transportation networks often have to use different lines to cover the trip from their origin to the desired destination. As a consequence, the reliability of connections between vehicles is a key issue for the attractiveness of the intermodal transportation network and it is strongly affected by some unpredictable events like breakdowns or vehicle delays. In such cases, a decision is required to determine if the connected vehicles should wait for the delayed ones or keep their schedule. The delay management problem (DMP) consists in defining the wait/depart policy which minimizes the total delay on the network. In this work, we present two equivalent mixed integer linear programming models for the DMP with a single initial delay, able to reduce the number of variables with respect to the formulations proposed by the literature. The two models are solved by a branch and cut procedure and by a constraint generation approach respectively, and preliminary computational results are presented
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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