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An inverse kinetic theory for the incompressibleNavier-Stokes equations
No full textAn inverse kinetic theory applying specifically to incompressible Newtonian fluids which
permits us to avoid the N2 algorithmic complexity of the Poisson equation for the fluid
pressure is presented. The theory is based on the construction of a suitable kinetic equation in
phase space, which permits us to determine exactly the fluid equations by means of the velocity
moments of the kinetic distribution function. It is found that the fluid pressure can also be
determined as a moment of the distribution function without solving the Poisson equation, as
is usually required in direct solution methods for the incompressible fluid equations. Finally,
the dynamical system, underlying the incompressible Navier–Stokes equations and advancing
in time the fluid fields, has been also identified and proven to produce an unique set of fluid
equation
Unique representation of an inverse-kinetic theory for incompressible Newtonian fluids
No full textFundamental aspects of inverse kinetic theories for the incompressible Navier-Stokes equations [Ellero and Tessarotto, 2004, 2005] include the possibility of defining uniquely the kinetic equation underlying such models and furthermore, the construction of a kinetic theory implying also the energy equation. The latter condition is consistent with the requirement that fluid fields result classical solutions of the fluid equations. These issues appear of potential relevance both from the mathematical viewpoint and for the physical interpretation of the theory. Purpose of this work is to prove that under suitable prescriptions the inverse kinetic theory can be determined to satisfy such requirements
Kinetic Approach for Quantum Hydrodynamic Equations
No full textA striking feature of standard quantum mechanics (SQM) is its analogy with classical fluid dynamics. In particular it is well known the Schrödinger equation can be viewed as describing a classical compressible and non-viscous fluid, described by two (quantum) fluid fields {,V}, to be identified with the quantum probability density and velocity field. This feature has suggested the construction of a phase-space hidden-variable description based on a suitable inverse kinetic theory (IKT; Tessarotto et al., 2007). The discovery of this approach has potentially important consequences since it permits to identify the classical dynamical system which advances in time the quantum fluid fields. This type of approach, however requires the identification of additional fluid fields. These can be generally identified with suitable directional fluid temperatures T_{QM,i} (for i=1,2,3), to be related to the expectation values of momentum fluctuations appearing in the Heisenberg inequalities. Nevertheless the definition given previously for them (Tessarotto et al., 2007) is non-unique. In this paper we intend to propose a criterion, based on the validity of a constant H-theorem, which provides an unique definition for the quantum temperatures
Inverse Kinetic Theory Approach to Turbulence Theory
No full textA fundamental aspect of turbulence theory is related to the identification of realizable phase-space statistical descriptions able to reproduce in some suitable sense the stochastic fluid equations of a turbulent fluid. In particular, a major open issue is whether a purely Markovian statistical description of hydrodynamic turbulence actually can be achieved. Based on the formulation of a deterministic inverse kinetic theory (IKT) for the 3D incompressible Navier-Stokes equations, here we claim that such a Markovian statistical description actually exists. The approach, which involves the introduction of the local velocity probability density for the fluid (local pdf) - rather than the velocity-difference pdf adopted in customary approaches to homogeneous turbulence - relies exclusively on first principles. These include - in particular - the exact validity of the stochastic Navier-Stokes equations, the principle of entropy maximization and a constant H-theorem for the Shannon statistical entropy. As a result, the new approach affords an exact equivalence between Lagrangian and Eulerian formulations which permit local pdf's which are generally non-Maxwellian (i.e., non-Gaussian). The theory developed is quite general and applies in principle even to turbulence regimes which are non-stationary and non-uniform in a statistical sense
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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