1,722,355 research outputs found
Sanford Bates Correspondence from Anne M. Daly
No full textA letter addressed to Sanford Bates from Anne M. Daly concerning a bill from Soney & Sage Company
Companion to Emblem Studies, Ed. Peter M. Daly
Get PDFRecenzja książki: Companion to Emblem Studies, ed. Peter M. Daly, New York AMS Press, Inc., 200
M. Daly House, 102 NE 9th, Madison SD, Lake County
No full text35 mm slide, multi-story green house with white trim and a porch, a swing set and wooden fence are in the backyardDrawer info: Hutchinson - Lawrence; Numbered StreetsKodachrome Slide M. Daly House 102 NE 9th Madison Facing NE 4 Dec 87F0
M. Daly House, 102 NE 9th, Madison SD, Lake County
No full text35 mm slide, multi-story green house with white trim, a porch and an attached garage, there are flowers on the porch and trees in the yardDrawer info: Hutchinson - Lawrence; Numbered StreetsKodachrome Slide JR M. Daly House 102 NE 9th Madison Facing N 3 Dec 87F0
Because I'm all dressed up and no place to go [first line of chorus]
No full textstrophic with choruspiano and voiceads on back cover for Daly Music Publishers stockJohns Hopkins University, Levy Sheet Music Collection, Box
152, Item 159Words by Thos. S. Allen. Music by Jos. M. Daly.[Gertie Purcell]unattrib. photo of Purcell; E. Pfeiffer, N.Y
Because I'm all dressed up and no place to go [first line of chorus]
No full textstrophic with choruspiano and voiceads on back cover for Daly Music Publishers stockJohns Hopkins University, Levy Sheet Music Collection, Box
152, Item 159Words by Thos. S. Allen. Music by Jos. M. Daly.[Gertie Purcell]unattrib. photo of Purcell; E. Pfeiffer, N.Y
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Daly, M. & Ljubenkov, J.C. (2008) Edwardsiid sea anemones of California (Cnidaria: Actiniaria Edwardsiidae), with descriptions of eight new species. Zootaxa, 1860, 1-27.
No full textM., DALY, C., LJUBENKOV J. (2009): Daly, M. & Ljubenkov, J.C. (2008) Edwardsiid sea anemones of California (Cnidaria: Actiniaria Edwardsiidae), with descriptions of eight new species. Zootaxa, 1860, 1-27. Zootaxa 2143 (1): 68, DOI: 10.11646/zootaxa.2143.1.6, URL: http://dx.doi.org/10.11646/zootaxa.2143.1.
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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