1,721,007 research outputs found
Réplique au compte-rendu de M. Cavagna a R. Brusegan, Venezia, Marsilio, 2004 (Collana di Classici francesi), 472 pp.
No full textRéplique au compte-rendu de M. Cavagna a R. Brusegan, Venezia, Marsilio, 2004 (Collana di Classici francesi), 472 pp
La tradition manuscrite de l’Ovide moralisé : prolégomènes à une nouvelle édition
No full textNell'ambito di un lavoro comune, Massimiliano Gaggero è responsabile della redazione delle pp. 180-187 (paragrafo 2, Historique
Risposta di Kalankhoe Blossfeldiana Poelln., Osateospermum e Fuchsia ibridi a differenti trattamenti con regolatori di crescita
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Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
"Libropera - style sheets et scripting au service de l’accessibilité des 'textes’ de musique vocale." In (2010) M. Cavagna. Outils informatiques pour l’édition et le traitement des textes, des images, du langage.
No full text"Libropera - style sheets et scripting au service de l’accessibilité des 'textes’ de musique vocale." In (2010) M. Cavagna. Outils informatiques pour l’édition et le traitement des textes, des images, du langage
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Heart rate response to different training phases in young female acrosport athletes
No full textAbstract
Background Acrosport is a specific type of gymnastics executed in pairs or groups of athletes, characterized by static, acrobatic, and choreographic elements. Very few data are available in the literature on the physiological profile of acrosport athletes.
Purpose The aim of the study was to evaluate the heart rate (HR) response to the different phases of a typical acrosport training session.
Methods Twenty female acrosport athletes (13 bases and 7 tops) volunteered for the study. To assess the cardio- vascular commitment and the percentage of HR utilized, data were averaged during the entire training session and for each training phase. Was calculated also the percentage of HR reserve for each training phase.
Results HR response showed a statistical difference among the different training phases in both base and top athletes. Moreover, bases and tops had a significantly dif- ferent HR response only in the individual phases. Conclusion The training phases during a typical acrosport training session revealed a different cardiovascular com- mitment during exercise. Differences between tops and bases were also retrieved and were probably due to the different level of experience and the different role played by tops and bases during the same combination of exercises
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