1,721,012 research outputs found
M. Caffiero, Battesimi forzati. Storie di ebrei, cristiani e convertiti nella Roma dei papi
No full textRecensione del libro M. Caffiero, Battesimi Forzati
M. CAFFIERO, Battesimi Forzati. Storie di ebrei, cristiani e convertiti nella Roma dei papi, Roma, Viella, 2004, pp.352
No full textRecensione del libro di M. Caffiero, Battesimi forzat
Identità religiose e identità nazionali in età moderna
No full textNUMERO MONOGRAFICO DI "DIMENSIONI E PROBLEMI DELLA RICERCA STORICA", I/200
Eine Debatte über die "Unsterblichkeit der Seele". Sarra Copia Sulam (1592-1641) und die jüdisch-christliche Salon in Venedig
No full textThis article offers an introduction to the confrontation about the ‘immortality of the soul’ that erupted in Venice between the Jewish poetess Sarra Copia Sulam (1592-1641) and a member of her salon, the priest Baldassarre Bonifaccio
Das Zeugnis von der Auferstehung Jesu und die historische Forschung: Die Rolle der Maria Magdalena in den Fragmenten von H. S. Reimarus
No full textZiel dieses Beitrags ist es, die Rolle der Maria Magdalena im Werk von Hermann
Samuel Reimarus (1694–1768) darzustellen, insbesondere im Zusammenhang
mit seiner historischen Rekonstruktion von Tod, Begräbnis und
Auferstehung Jesu. H. S. Reimarus und seine Fragmente (1774–1778) hatten
große Bedeutung für die Geschichte der Forschung über den historischen Jesus,
und das Zeugnis von Maria Magdalena war der Eckpfeiler seines Konzeptes
über den Ursprung der christlichen Religion. Im Folgenden werden die
Textstellen vorgestellt, in denen H. S. Reimarus die Rolle der Maria Magdalena
als Zeugin der Auferstehung Jesu behandelt und daraus Schlussfolgerungen
zieht
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Gli ateliers e la città: mercato di immobili e presenze artistiche nella Roma di fine Settecento
No full textAnalisi sulla centralità degli ateliers nel sistema artistico romano della fine del XVIII secolo ricostruita sui dati provenienti dalla documentazione del censimento degli Stati delle Anime conservati presso l'Archivio del Vicariato di Roma, e delle Assegne dei beni depositate presso l'archivio Camerale (Roma Archivio di Stato). Roma XVIII secolo; produzione artistica; stati delle anime; mercato dell'arte; ateliersAnalysis on the centrality of the artistic workshops in the late eighteenth century, through the records of the States Census of Souls preserved in the Archivio del Vicariato and Assegne dei beni, deposited in the archives Chamber (Archivio di Stato
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