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Daniel M Richards' Grave Marker
No full textDaniel M. Richards' tombstone at the Gillette Cemetery. Photograph furnished by Joe Warner
BookIT IP Series - Neil M. Richards
No full textProfessor Neil M. Richards of Washington University School of Law discusses his recently published book, Intellectual Privacy.https://scholarship.kentlaw.iit.edu/events_2015/1000/thumbnail.jp
Edward M. Richards to Mary Edwards Walker
No full textCorrespondence from Edward M. Richards to Mary Edwards Walker regarding how to move forward with the dress and other reforms. 2 letter
The David M. Richards, D. O. Collection
Get PDFFinding aid for The David M. Richards, D.O. CollectionDr. David M. Richards was president of the University of North Texas Health Science Center from 1986 to 2000. He started working at the Texas College of Osteopathic Medicine in 1981 as the associate dean for academic affairs; after several promotions he became president in 1986. Dr. Richards was the first osteopathic physician elected as a member-at-large of the National Board of Medical Examiners, and one of the first osteopathic physicians appointed to the Veterans Administration Special Medical Advisory Group. Dr. Richards led the transformation of TCOM into a health science center in 1993 when the Graduate School of Biomedical Sciences was funded. Dr. Richards is the third and longest-serving president of the Texas College of Osteopathic Medicine.The David M. Richards, D.O. Collection consists of papers, manuscripts, letters, reports, and notes from the Board of Regents meetings that Dr. Richards collected when he was president of the University of North Texas Health Science Center from 1986-1999
II. Nomination de M. G. M. Richards à Swansea
No full textVendryes Joseph. II. Nomination de M. G. M. Richards à Swansea. In: Etudes Celtiques, vol. 2, fascicule 4, 1937. p. 350
E-1144: Mendon, Utah, Mahonri M. Richards residence. Lot 5 Block 3 Plat A
No full textE-1144: Mendon, Utah, Mahonri M. Richards residence. Lot 5 Block 3 Plat
E-1137: Mendon, Utah, Mahonri M. Richards residence. Lot 6 Block 2 Plat A
No full textE-1137: Mendon, Utah, Mahonri M. Richards residence. Lot 6 Block 2 Plat
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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