1,721,471 research outputs found
Brief biographical profiles of Kenneth M. Lefebvre, Paul E. LeConte, Linwood Gra
No full textBrief biographical profiles of Kenneth M. Lefebvre, Paul E. LeConte, Linwood Graffam, Dennis Wescott, and Wanda Worrey, who seek election to the Westbrook City Council
Brief biographical profiles of Kenneth M. Lefebvre, Paul E. LeConte, Linwood Gra
No full textBrief biographical profiles of Kenneth M. Lefebvre, Paul E. LeConte, Linwood Graffam, Dennis Wescott, and Wanda Worrey, who seek election to the Westbrook City Council
Note de M. Lefebvre sur la découverte d'un mur couvert de graffitis grecs à Abydos (Égypte)
No full textCroiset Maurice. Note de M. Lefebvre sur la découverte d'un mur couvert de graffitis grecs à Abydos (Égypte). In: Comptes rendus des séances de l'Académie des Inscriptions et Belles-Lettres, 57ᵉ année, N. 7, 1913. pp. 465-468
Débat sur les communications de M. Lefebvre, J.P. Laborie, C. Vandermotten et D. Clary.
No full textDébat sur les communications de M. Lefebvre, J.P. Laborie, C. Vandermotten et D. Clary.. In: Hommes et Terres du Nord, numéro hors-série 1981/1. Migrations internes et externes en Europe Occidentale. Tome 1. pp. 476-480
Débat sur les communications de M. Lefebvre, J.P. Laborie, C. Vandermotten et D. Clary.
No full textDébat sur les communications de M. Lefebvre, J.P. Laborie, C. Vandermotten et D. Clary.. In: Hommes et Terres du Nord, numéro hors-série 1981/1. Migrations internes et externes en Europe Occidentale. Tome 1. pp. 476-480
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Kenneth M. Lefebvre was yesterday elected mayor of Westbrook. Lefebvre won with
No full textKenneth M. Lefebvre was yesterday elected mayor of Westbrook. Lefebvre won with 1,245 votes, compared to 1,245 for Republican Philip D. Spiller, and 939 for Alfred E. Porrell. Lefebvfe has been acting mayor since the December 29 death of Fred C. Wescott
L'Arrondissement de Saint-Omer dans le passé et le présent. Préface de M. Lefebvre du Prey, 1924
No full textLennel F. L'Arrondissement de Saint-Omer dans le passé et le présent. Préface de M. Lefebvre du Prey, 1924. In: Revue du Nord, tome 11, n°42, mai 1925. pp. 147-150
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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