1,721,534 research outputs found
No.317, M. Donald Thomas
No full textTranscript (130 pages) of interview by Fred Buchanan with M. Donald Thomas on August 16, 1991. This interview is no. 317 in the Everett L. Cooley Oral History Project, and tape nos. U-1392 and U-1393M. Donald Thomas (b. 1926), the son of Italian Immigrants, born Mario Donato DiTommaso, recalls his childhood and education, culminating in his Ed.D., prior to coming to Utah where he served as superintendent of the Salt Lake City School Board. He discusses his innovations in educational administration, particularly his concept of shared governance of schools. Of particular interest are his recollections regarding the politics and personalities he dealt with during his Salt Lake School Board tenure, 1970s-1980s. Interviewer: Fred Buchana
Nomination de M. Donald Scott.
No full textB. P. Nomination de M. Donald Scott. In: Journal de la Société des Américanistes. Tome 24 n°2, 1932. p. 319
Conférence de M. Donald Harper
No full textHarper Donald. Conférence de M. Donald Harper. In: École pratique des hautes études, Section des sciences religieuses. Annuaire. Tome 105, 1996-1997. 1996. pp. 145-146
Campbell, D M (Donald Mcpherson), QX14703
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/375758Surname: CAMPBELL
Given Name(s) or Initials: D M (DONALD MCPHERSON)
Military Service Number or Last Known Location: QX14703
Missing, Wounded and Prisoner of War Enquiry Card Index Number: 23308188459
Item: [2016.0049.08066] "Campbell, D M (Donald Mcpherson), QX14703
Cross, D M (Donald Milton), WX717
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/379774Surname: CROSS
Given Name(s) or Initials: D M (DONALD MILTON)
Military Service Number or Last Known Location: WX717
Missing, Wounded and Prisoner of War Enquiry Card Index Number: 7212193586
Item: [2016.0049.12067] "Cross, D M (Donald Milton), WX717
M. Donald and Colonel Patterson account
No full textAn account of Colonel Samuel Patterson's Battalion for services from M. Donald. Services include the use of wagons and the transport of baggage for members of the battalion
M. Donald and Colonel Patterson account
No full textAn account of Colonel Samuel Patterson's Battalion for services from M. Donald. Services include the use of wagons and the transport of baggage for members of the battalion
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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