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    Landscapes of Removal and Resistance: Edwin James\u27s Nineteenth-Century Cross-Cultural Collaborations

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    The life of Edwin James (1797-1861) is bookended by the Lewis and Clark expedition (1803-6) and the Civil War (1861-65). James\u27s work engaged key national concerns of western exploration, natural history, Native American relocation, and slavery. His principled stands for preservation of lands and animals in the Trans-Mississippi West and his opposition to Indian relocation should be celebrated today, yet his legacy does not fit neatly into established literary or historical categories. One reason for James\u27s obscurity is his willingness to collaborate. Both of his major works, Account of an Expedition from Pittsburgh to the Rocky Mountains (1823) and A Narrative of the Captivity and Adventures of John Tanner (1830), as well as many of his articles, were published with his name listed as editor or compiler rather than as author. The explorer Major Stephen H. Long and the Native American captive John Tanner were his two primary collaborators, yet James\u27s name has fallen from the covers of his books. In addition to his major collaborative volumes, James worked closely with leading scientists in the eastern United States, such as John Torrey and Amos Eaton. Despite some successes, competition from other leading writers and scientists, especially Thomas Nuttall and Henry Rowe Schoolcraft, may have discouraged him from writing in his later years. In this article, I argue that James resisted prevailing and exploitative land-use policies and environmental attitudes while he illuminated the relationship between ethnicity and landscape. First, I situate James\u27s collaborative relationships and argue for the importance and uniqueness of his voice. Next, I examine James\u27s early career as botanist for the 1819-20 Major Long expedition to the Rocky Mountains to show his belief that the Great Plains-or Great American Desert -should be preserved through game laws and even be reserved for Native American hunters. I also discuss James\u27s work with the so-called White Indian John Tanner as a cross-cultural collaboration and explain how their collaborative texts resisted Andrew Jackson\u27s 1830 Indian Relocation Act. Finally, I examine the ramifications of the personal and political disputes that occurred in the 1830s between James, Tanner, and the important Indian agent and ethnologist Henry Rowe Schoolcraft. While the collaborative nature of James\u27s writing has obscured his popular legacy, his willingness to collaborate demonstrates the integrity he displayed during a period of intense scientific and literary competition

    Captivity Literature and the Environment : Nineteenth-Century American Cross-Cultural Collaborations

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    In his study of captivity narratives, Kyhl Lyndgaard argues that these accounts have influenced land-use policy and environmental attitudes at the same time that they reveal the complex relationship between ethnicity, landscape, and authorship. In connecting these themes, Lyndgaard offers readers an alternative environmental literature, one that is dependent on an understanding of nature as home rather than as a place of temporary retreat. He examines three captivity narratives written in the 1820s and 1830s - A Narrative of the Life of Mrs. Mary Jemison, The Captivity and Adventures of John Tanner, and Life of Black Hawk -all of which engage with the Jacksonian policy of Indian removal and resist tropes of the so-called Vanishing Indian. As Lyndgaard shows, the authors and the editors with whom they collaborated often saw their stories as a plea for environmental and social justice. At the same time, audiences have embraced them for their vision of a more inclusive and less exploitative American society than was proffered by the rhetoric of Manifest Destiny. Their legacy is that while environmental and social justice has been slow in fulfilment, their continued popularity testifies to the fact that the struggle for justice has never been ceded.https://digitalcommons.csbsju.edu/writing_center_books/1008/thumbnail.jp

    Exploring the literature of energy

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    Energy scholar Vaclav Smil wrote, Tug at any human use of energy and you will find its effects cascading throughout society. Too often public discussions of energy-related issues become gridlocked in debates concerning cost, environmental degradation, and the plausibility (or implausibility) of innovative technologies. But the topic of energy is much broader and deeper than these debates typically reveal. In my Forum presentation, I argue that energy is a defining topic of our time and that the humanities have as much to say about it as do the sciences. The literature of energy bears this out--and takes the notion further, revealing in vivid stories and images how energy permeates the fundamental nature of existence. My presentation draws on my co-edited anthology Currents of the Universal Being: Explorations in the Literature of Energy (Texas Tech UP, 2015). Readings in this collection encompass a wide array of topics, from addiction to oil to life off the grid, from the power of the atom to the power of bicycle technology. This talk emphasizes the emergence of one strain of energy literature, namely petrofiction and oil culture

    A Brief Taxonomy of Inclusive Pedagogies: What Faculty Can Do Differently to Teach More Inclusively

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    At the All-Campus Forum in August 2016, President Mary Dana Hinton called for us to create an “ecosystem of inclusion” at the College of Saint Benedict and Saint John’s University (CSB/SJU). Faculty members’ work with students is central to creating such an ecosystem, but what do we mean by “inclusion?” In this essay, we provide an overview of our evolving understanding of “inclusive pedagogy,” as informed by our work administering and participating in multiple faculty development workshops funded by twin grants from the Andrew W. Mellon Foundation.1 “Faculty Formation to Support Liberal Learning for All” was awarded to CSB under principal investigator President Mary Dana Hinton. It is administered by Jean Keller and includes a cohort of humanities faculty members. “Faculty Development to Engage Increasingly Diverse Students” was awarded to SJU under principal investigator President Michael Hemesath. It is administered by Kyhl Lyndgaard and includes a cohort of First-Year Seminar faculty members. Both grants run throughout the 2015-2017 academic years

    Inclusion in Higher Education: Research Initiatives on Campus

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    Inclusion in Higher Education: Inquiry-Based Approaches to Change presents an inquiry-based approach to inclusion in higher education that embraces scholarly inquiry, collaborative efforts, and data-driven interventions to inform transformative institutional change. Contributors analyze inclusion initiatives that address the experiences of minoritized groups on college campuses and recommend tailored interventions for the needs of underrepresented students in varied fields of study.https://digitalcommons.csbsju.edu/psychology_books/1008/thumbnail.jp

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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