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Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
DataSciBurgoon/bisct: Baruto Uzamaki
No full text<p>This release contains an update to the steatosis model. Specifically, we now have nodes for fatty acid influx and fatty acid efflux going into the steatosis node.</p>
arsenic_mouse_lung_tumor_reanalysis: Bald Eagle
No full text<p>This is a minor release that adds figure numbers to the autogenerated figures. This should make it easier to reference specific parts of the report.</p>
DataSciBurgoon/apecs_vivo: anterior apple
No full textRelease Notes
<p>This is the first major release.</p>
Installation
<p>To install the software, simply expand the APECS.vitro.zip file.</p>
Input File and Testing
<p>The input file format can be seen in the test_data.txt file. It's a tab-delimited file. This file was output from our ToxCast MySQL database. Make sure that the file is sorted first by chemical and then by assay. This is important to ensure the file parser works correctly.</p>
aop: Hatake Kakashi
No full text<a class="anchor" href="#release-hatake-kakashi"><span class="octicon octicon-link"></span></a>Release: Hatake Kakashi
<p>This release is the first full release of the package. An earlier release on CRAN is superceded by this one.</p>
<a class="anchor" href="#date"><span class="octicon octicon-link"></span></a>Date
<p>23-Sept-2015</p>
<a class="anchor" href="#features"><span class="octicon octicon-link"></span></a>Features
<ol>
<li>Identify AOP Key Events that are sufficient to infer an adverse outcome</li>
<li>Concentration/Dose-response analysis and point of departure determination for HTS and other data</li>
</ol>
<a class="anchor" href="#contributors"><span class="octicon octicon-link"></span></a>Contributors
<p>Lyle D. Burgoon</p>
aop-ontology: Bulgogi
No full text<p>This is the first release of the Adverse Outcome Pathway Ontology. One of the goals of the AOPO is to streamline and systematize the language used in AOPs. This will facilitate the visualization, creation, and analysis of AOPs and data in an AOP-centric framework. </p>
toxicological_sciences_csl: Albatross
No full text<p>This is the first release of the toxicological sciences CSL for use in Zotero and other bibliography software.</p>
arsenic_mouse_lung_tumor_reanalysis: Alligator-minor-Zenodo
No full text<p>Re-releasing so that Zenodo can generate a DOI.</p>
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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