1,720,965 research outputs found
Music adapting to the brain: From diffusion chains to neurophysiology
Full text linkDuring the last decade, the use of experimental approaches on cultural evolution
research has provided novel insights, and supported theoretical predictions, on the
principles driving the evolution of human cultural systems. Laboratory simulations of
language evolution showed how general-domain constraints on learning, in addition to
pressures for language to be expressive, may be responsible for the emergence of
linguistic structure. Languages change when culturally transmitted, adapting to fit,
among all, the cognitive abilities of their users. As a result, they become regular and
compressed, easier to acquire and reproduce. Although a similar theory has been
recently extended to the musical domain, the empirical investigation in this field is still
scarce. In addition, no study to our knowledge directly addressed the role of cognitive
constraints in cultural transmission with neurophysiological investigation.
In my thesis I addressed both these issues with a combination of behavioral and
neurophysiological methods, in three experimental studies. In study 1 (Chapter 2), I
examined the evolution of structural regularities in artificial melodic systems while they
were being transmitted across individuals via coordination and alignment. To this
purpose I used a new laboratory model of music transmission: the multi-generational
signaling games (MGSGs), a variant of the signaling games. This model combines
classical aspects of lab-based semiotic models of communication, coordination and
interaction (horizontal transmission), with the vertical transmission across generations
of the iterated learning model (vertical transmission). Here, two-person signaling games
are organized in diffusion chains of several individuals (generations). In each game, the
two players (a sender and a receiver) must agree on a common code - here a miniature
system where melodic riffs refer to emotions. The receiver in one game becomes the
sender in the next game, possibly retransmitting the code previously learned to another
generation of participants, and so on to complete the diffusion chain. I observed the
gradual evolution of several structures features of musical phrases over generations:
proximity, continuity, symmetry, and melodic compression. Crucially, these features
are found in most of musical cultures of the world. I argue that we tapped into universal
processing mechanisms of structured sequence processing, possibly at work in the
evolution of real music. In study 2 (Chapter 3), I explored the link between cultural
adaptation and neural information processing. To this purpose, I combined behavioral
and EEG study on 2 successive days. I show that the latency of the mismatch negativity (MMN) recorded in a pre-attentive auditory sequence processing task on day 1, predicts
how well participants learn and transmit an artificial tone system with affective
semantics in two signaling games on day 2. Notably, MMN latencies also predict which
structural changes are introduced by participants into the artificial tone system. In study
3 (Chapter 4), I replicated and extended behavioral and neurophysiological findings on
the temporal domain of music, with two independent experiments. In the first
experiment, I used MGSGs as a laboratory model of cultural evolution of rhythmic
equitone patterns referring to distinct emotions. As a result of transmission, rhythms
developed a universal property of music structure, namely temporal regularity (or
isochronicity). In the second experiment, I anchored this result with neural predictors. I
showed that neural information processing capabilities of individuals, as measured with
the MMN on day 1, can predict learning, transmission, and regularization of rhythmic
patterns in signaling games on day 2. In agreement with study 2, I observe that MMN
brain timing may reflect the efficiency of sensory systems to process auditory patterns.
Functional differences in those systems, across individuals, may produce a different
sensitivity to pressures for regularities in the cultural system. Finally, I argue that neural
variability can be an important source of variability of cultural traits in a population.
My work is the first to systematically describe the emergence of structural properties of
melodic and rhythmic systems in the laboratory, using an explicit game-theoretic model
of cultural transmission in which agents freely interact and exchange information.
Critically, it provides the first demonstration that social learning, transmission, and
cultural adaptation are constrained and driven by individual differences in the functional
organization of sensory systems
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
- …
