1,721,025 research outputs found
Reinventing Ireland: culture, society and the global economy by Peadar Kirby, Luke Gibbons and Michael Cronin
Reinventing Ireland: culture, society and the global economy by Peadar Kirby, Luke Gibbons and Michael CroninYe
Reinventing Ireland: culture, society and the global economy by Peadar Kirby, Luke Gibbons and Michael Cronin
Reinventing Ireland: culture, society and the global economy by Peadar Kirby, Luke Gibbons and Michael CroninYe
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Moving Image, Montage and Memory: The development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory
The main aim of this thesis is to provide a voice to a marginalised community on the island of Inishbofin off the North West coast of Co. Donegal in Ireland. The film’s usefulness lies in its portrayal of a small, indigenous, fragile community that clings to existence and its strength lies in giving voice to this minority in an attempt to correct perceptions of Irishness.
This thesis seeks to enrich the discourse surrounding the way Irish identity is reconciled through the moving image. The theme is explored through an investigation of a previously unseen film archive—The Martin Archive—alongside my own documentary film practice. Time within the context of the archive, the nation, the temporality of film, memory and nostalgia is used to structure this thesis exploration.
Within my research, the recognition of time and memory and the role these play in the construction of national identity have come to the fore. My documentary film work will intervene within this larger discourse to contribute to another way of thinking about and looking at Irish identity.
The ambiguity of historical time and the myth of authenticity are considered through an exploration of how the archive is assembled. My approach correlates with that of certain postcolonial theories, developed through an analysis of the writings of Homi K. Bhabha and Benedict Anderson.
In my original approach to this subject I have created a hybrid of two time frames by utilising both The Martin Archive and my own film work, in an attempt to question established notions of Irish national identity.
The research is a consideration of the constructed nature of narrative, exploring how a disruption in linear narrative and historical time can provide a new space of performativity, in which the spectator can explore Irish identity anew. By illuminating the multiplicities within the films, the multiple minor voices - that are concurrent in time - can be heard. This process enables the practice to disrupt the time of official history by showing the time of the other. My practice is a temporal bricolage that documents a vulnerable, indigenous, Gaelic speaking community in Co. Donegal. The film work is a poetics of time; memory and fragility, which explores the past, present and future of the community portrayed within the experimental film archive.
The structure of the practice as a temporal bricolage displays a fragmented, multiple, jumbled narrative, where chronology itself is disrupted. The fragmentary nature of the practice ensures that no complete meaning can be fixed. The interlocking of historical and personal time enables a plurality of voices to be heard, contesting any dominant historical linear narrative
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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