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КАТЕГОРІАЛЬНІ ВИМІРИ ОНІМНОГО ПРОСТОРУ
The article explores key aspects of understanding the categorical dimensions of the onymic space through establishing correspondence between the expression of the singular and existing categories. It is noted that since humans are the starting point of an anthropocentric view of the characteristics of the linguistic worldview, the onymic shace is a component of this linguistic realization, in which the experience of cognition and self-awareness in the surrounding environment is expressed through proper names. The author examines the three-dimensional structure of categorical dimensions of the onymic space, including fundamental categories of being, social, and mental categories. The process of verbalized knowledge organization, occurring through cognitive models, is identified by the author as universal for all levels of onymic encoding. Two approaches to categorization are considered – traditional and cognitive, taking into account both objective and subjective aspects of thinking in the analysis of the onymic field. Among the primary values, the motivational feature is highlighted, serving as semantic motivation in the early stages of object designation. It is emphasized that onymic nomination is secondary, and all classes of onyms have significant potential for encoding and recoding. The article demonstrates how socio-economic conditions, tragedies, and moments of greatest social tension influence the change in the onymic space. It is emphasized that observations of substantive and formal onymic categories and parameters indicate the presence of a certain categorical framework in the onymic worldview, which serves as the focal point for organized, ordered, and programmed communication in its pragmatic orientation.У статті висвітлено ключові аспекти розуміння категоріальних вимірів онімного простору через установлення відповідності між омовленням одиничного і наявними категоріями. Зазначено, що оскільки людина є вихідною точкою антропоцентричного погляду на характеристики мовної картини світу, онімна картина є складником цієї мовної реалізації, у якій досвід пізнання та усвідомлення себе і довкілля виражається через власні назви. Автор розглядає тривимірну структуру категоріальних вимірів онімного простору, яка включає фундаментальні категорії буття, суспільні та ментальні категорії. Процес вербалізованого упорядкування знань, що відбувається через когнітивні моделі, визначено як універсальний для всіх рівнів онімного кодування. Узято до уваги два підходи до категоризації – традиційний і когнітивний, що в аналізі онімного поля враховує як об’єктивні, так і суб’єктивні аспекти мислення. З численних первинних значень наголошено на мотиваційній характеристиці, яка відіграє ключову роль у процесі набування предметами їхнього значення. Підкреслено, що онімна номінація є вторинною і величезний потенціал для кодування і перекодування мають усі класи онімів. Показано, як на зміну онімної картини впливають соціально-економічні умови, трагедії, моменти найбільшої соціальної напруженості. Відзначено, що аналіз змістових і формальних категорій та параметрів онімії свідчить про наявність певної категоріальної структури в мовній картині світу, що є основою упорядкованого й організованого акту комунікації, мета якого – прагматична установка
Текстуальна стратегія інтертекстуальності збірки поезій Василя Стуса „Палімпсести” в семіотичному аспекті.
The given article is devoted to the problem of intertextuality of literary work, illustrated by the example of poetry collection “Palimpsests” by V. Stus. The article presents the analysis of the concept of intertextuality through the prism of the semiotics of culture. Special attention is paid to the various levels of intertextuality identified in the literary text. Approaches to the semiotic analysis intertextuality are conducted. Strategy of text intertextuality in the semiotic sense are defined by the following positions: first, the most common intertext markers in the poetry by Vasyl Stus are calling to the level of history, art, folklore and Ukrainian and foreign literature and can be classified as intermedial. To some extent, iconic echoes of precedent situations with decoding are traced using markers, hints, allusions, reminiscences, framework inclusions. Secondly, on the linguistic level intertextuality presented with using of precedent names, historisms and archaisms as dialog and echo of language paradigms and different times. In our opinion, this is lingual intertextuality. Thirdly, on the level of literary techniques V. Stus clearly reveals the author's multidimensionality, resorting to intratextuality. Interteksthemes on different levels combine poetry collections into a single text, touching upon the importance of old meanings and giving them new meanings. Semiotic analysis of intertextuality poetry of Vasyl Stus is symbolic due to name of the book – “Palimpsests” – which is interpreted as prolonged dialogue of texts in different times and spaces.Статья посвящена проблеме интертекстуальности литературного текста (на примере стихотворений сборника «Палимпсесты» В. Стуса). Представлен анализ понятия интертекстуальности сквозь призму семиотики культуры. Особое внимание уделено разным уровням интертекстуальности, обнаруженным в литературном тексте. Предложены подходы к семиотического анализа интертекстуальности.Стаття присвячена проблемі інтертекстуальності літературного тексту (на прикладі поезій збірки «Палімпсести» В. Стуса). Представлено аналіз поняття інтертекстуальності крізь призму семіотики культури. Особливу увагу звернено на різні рівні інтертекстуальності, виявлені в літературному тексті. Запропоновано підходи до семіотичного аналізу інтертекстуальності
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
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