1,720,967 research outputs found
Nesmrteľnosť, moc a démonické sily
Full text linkThe story of Faust is a part of European culture and mythology for five centuries and modified and reflected looking of the society upon some key questions in various transformation. Faust has never been alone in his effort to reach an absolute knowledge and power, even at the expense of his own execration. Other iconic beings of folk literature or folk imagination and fiction following their own ambitions were ahead of him and followed him. The aspect of power as a dominant determinant of not only Faust’s effort became determining element of investigation in submitted article. Author accesses the problem of power in wider social-cultural contexts and looks for matter, origin and symptoms of its attraction following its transformation and possible aesthetical influence on the individual in the work reception and even in personal acting and creating of aesthetical preferences of the recipient
Poznámky k pravekému umeniu: východiská a možnosti definície
No full textThe twentieth century shows that the interest in fine art did not mitigate despite the radical changes in its form and content and the problem of his definition represents live and dynamic (complicated too) issue which has brought broader possibilities of looking at the art regarding the anti-essentialist tendencies. Determination of the status of non-European (in the understanding of tradition) or other artistic production presents a specific place in the analysis and is the problem itself. Even prehistoric articles of European artistic production paradoxically belong to the artistic sphere of non-European tradition and occupy special place in the specific sphere of fine art, and present the challenge for theoreticians and recipients. The aim of analysis is to review relative contemporary approaches and their critical application to the environment of prehistoric art, which shows significant specifications perplexing the use of the notion of fine art. Author does not strive forsetting the definition of prehistoric art, but to point out the possibilities and the methods of how to get an integrated thesis on the artistic production of the oldest European period
Current Issues of 20th- and 21st-Century Musical Aesthetics
No full textKopčáková, S. (2020) Aktuálne otázky hudobnej estetiky 20.
a 21. storočia. Prešov: Prešovská univerzita v Prešove, 225 s.,
ISBN 978-80-555-2522-8
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Miesto praveku v dejinách a teórii výtvarného umenia 20. storočia v stredoeurópskom priestore
No full textThe artistic production of prehistoric man takes very special status and place in the history and theory of art. Ever since the appearance of the first grand work and small sculptures, experts expressed interest in the understanding of prehistoric art. Its integration as a full artistic development period, however, was arduous and the most of magnificent artistic production stood at the threshold of the 20th century on the edge of acceptance and
rejection. The effort to include a diverse prehistoric production to well-established and "traditional" concepts of art fails and become a problem in reflection and evaluation of prehistoric artifacts themselves. This article follows the theoretical art-historical literature of the Central European space describing prehistoric artifacts. The objective and the main effort of the author of this article, is to dissect and define the chronological phases of perception of prehistoric art and prehistoric production in the context of art history, to describe his place in art history, but also to evaluate the real degree of art-historical approach to the prehistoric artifacts. Given the diversity of artistic production, it will be necessary to monitor Central European context (even in a subject, even in the origin of individual texts) with an emphasis on the form of the cultural image of Slovakia and the chronically known theorists (J. Volko-Starohorský, B. Svoboda, K. Šourek, V. Wagner, V. Krička J, Dekan, K. Pieta, J. Eisner, M. Szabo, I. Hunyady, J. Chochorowski) complemented with the analysis of less well-known domestic and foreign works (F. Kubišťa, M. Vančo, A. Matejček, J. Kostrzewski etc.)
SOUČKOVÁ, M., GAVURA, J. a R. KITTA (eds.). 2015. TOP 5/2013 (slovenská literárna a výtvarná scéna 2013 v odbornej reflexii)
Full text linkSOUČKOVÁ, M., GAVURA, J. a R. KITTA (eds.). 2015. TOP 5/2013 (slovenská literárna a výtvarná scéna 2013 v odbornej reflexii). Košice: FACE (Fórum alternatívnej kultúry a vzdelávania). 156 s. ISBN 978-80- 89763-14-8
ŠEDÍK, M. 2014. Filozofia umenia/Analytická tradícia
Full text linkŠEDÍK, M. 2014. Filozofia umenia/Analytická tradícia. Banská Bystrica: Belianum, ISBN 978-80-557-0773-0
NOVOTNÝ, Ľ. 2014. Počiatky pravekého umenia na Slovensku
Full text linkNOVOTNÝ, Ľ. 2014. Počiatky pravekého umenia na Slovensku. Martin: Matica slovenská. 279 s. ISBN 978-80-8128-080-1
SLÁDEK, O. 2015. Jan Mukařovský: Život a dílo
Full text linkSLÁDEK, O. 2015. Jan Mukařovský: Život a dílo. Brno: Host. 488 s. ISBN 978-80-7491-531-4
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