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    La interpretación musical como proceso científico y artístico: su estudio en la obra para violonchelo de José Luis Greco (1953-)

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    José Luis Greco, a New York composer who has been based in Madrid since 1994, is one of the most important figures in contemporary music today. In this article, I present a theoretical framework to bridge the artistic and scientific dimensions in performance research. To achieve this, I explore areas of knowledge that may seem unrelated to musical interpretation, in order to establish the foundation of my study. The second part of this article briefly explains the methodology used in my doctoral thesis to examine the instrumental language in José Luis Greco\u27s cello composition, as well as my proposed interpretation of the piece One Fell Swoop.El compositor neoyorquino José Luis Greco, afincado en Madrid desde el año 1994, es uno de los creadores más importantes en el panorama actual de la música contemporánea. En este artículo dedico un primer bloque a proponer un marco teórico que permita conciliar la dimensión artística con la científica en la investigación interpretativa. Para ello indago en otras áreas del conocimiento, en principio lejanas a la interpretación musical, para poder fundamentar mi estudio. En el segundo bloque se expone brevemente la aplicación del método que he seguido en mi tesis doctoral para el estudio del lenguaje instrumental en la obra para violonchelo de José Luis Greco, así como para mi propuesta interpretativa de la pieza One Fell Swoop. &nbsp

    La interpretación musical como proceso científico y artístico: su estudio en la obra para violonchelo de José Luis Greco (1953-)

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    José Luis Greco, a New York composer who has been based in Madrid since 1994, is one of the most important figures in contemporary music today. In this article, I present a theoretical framework to bridge the artistic and scientific dimensions in performance research. To achieve this, I explore areas of knowledge that may seem unrelated to musical interpretation, in order to establish the foundation of my study. The second part of this article briefly explains the methodology used in my doctoral thesis to examine the instrumental language in José Luis Greco's cello composition, as well as my proposed interpretation of the piece One Fell Swoop.El compositor neoyorquino José Luis Greco, afincado en Madrid desde el año 1994, es uno de los creadores más importantes en el panorama actual de la música contemporánea. En este artículo dedico un primer bloque a proponer un marco teórico que permita conciliar la dimensión artística con la científica en la investigación interpretativa. Para ello indago en otras áreas del conocimiento, en principio lejanas a la interpretación musical, para poder fundamentar mi estudio. En el segundo bloque se expone brevemente la aplicación del método que he seguido en mi tesis doctoral para el estudio del lenguaje instrumental en la obra para violonchelo de José Luis Greco, así como para mi propuesta interpretativa de la pieza One Fell Swoop.

    EL LENGUAJE INSTRUMENTAL EN EL REPERTORIO PARA VIOLONCHELO DE JOSÉ LUIS GRECO: INTERPRETACIÓN E INVESTIGACIÓN ARTÍSTICA

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    El compositor neoyorquino José Luis Greco es uno de los creadores más destacados en el panorama actual de la música contemporánea. Esta tesis doctoral pretende en primer lugar analizar el lenguaje instrumental de toda su producción para violonchelo, creando una taxonomía de los diferentes recursos empleados. En segundo lugar se describe la colaboración entre compositor e intérprete durante el transcurso de creación de la obra One Fell Swoop, mostrando cómo ésta influye en el resultado final. Por último presento mi propuesta interpretativa de dicha obra especificando las diferentes etapas del proceso de estudio, desde una lectura inicial hasta la actuación en público. A través de mi propuesta interpretativa se pretende crear un modelo de aproximación al trabajo de una nueva obra que sirva de utilidad para otros violonchelistas.The New York composer José Luis Greco is one of the most prominent creators in the current panorama of Spanish contemporary music. This doctoral thesis aims first of all to analyze the instrumental language of his complete production for cello, creating a taxonomy of the different resources used. Secondly, the collaboration between composer and performer during the creation of the work One Fell Swoop is described, showing how this influenced the final result. Finally, I present my interpretative proposal for said work, specifying the different stages of the study process, from an initial reading to public performance.Through my interpretive proposal I aim to create a model of approach to the work on a new composition that will be useful for other cellists.Tesis Univ. Jaén. Departamento de Didáctica de la Expresión Musical, Plástica y Corpora

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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