426 research outputs found
Sitting for Susanne
No full textEssay in book by Susanne du Toit: Painting Women Writers, 2023.
Contributors: Jeanette Winterson; Sacha Llewellyn; Alice Strickland; Ami Bouhassane; Ayisha Malik; Clover Stroud; Dolly Alderton; Diana Evans; Dreda Say Mitchell; Juliet Jacques; Lara Fiegel; Lucy Howarth; Pascale Petit; Susie Hodge
Last Night at the Bingo
No full textProject by Leigh Clarke: collaborative project/live event/site-specific installation/ with publication (designed by Tim Hutchinson) made in partnership with University of the Arts London, Liddicoat & Goldhill Project Space and Turner Contemporary for Margate NOW Festival 2019. Curated by Lucy Howarth
Signature Style
No full textEssay in: Dry Humping*
Ambitious Outsiders (Silverhill Press) · Nov, 2023
Publication (designed by Richard de Pasando) as culmination of the project Dry Humping* by Sadie Hennessy:
"Earlier this year I was thinking about the idea of the ‘artist’s voice’ or their signature style, and wondered if I had such a thing. In order to find out I put an Open Call out, inviting people to submit work that was in the style of my own, to be considered for inclusion in a ‘solo show’ (by me!). I gave them my website address (www.sadiehennessy.co.uk) as I didn’t assume they’d be familiar with what I do. Then I waited to see what came back. There were over 70 responses which I whittled down to 45. These works have now been brought together in a beautiful publication, with essays from Dr. Lucy Howarth, Camilla Ellingsen Webster and Professor Matthew Worley, published by Ambitious Outsiders Press."
*not quite the real thing.
Exhibition 28 November - 3 December 2023
studio1.1 is pleased to be hosting Sadie Hennessy’s ‘solo’ show.
(with Tim Topple, Camilla Ellingsen Webster, Lucy Howarth, Matt Worley, C.A. Halpin, Allen Reed, Sonia McNally, Tracey Peisley, Gabriel Corcuera Zubillaga, Anna Brownsted, Richard Heslop, Conrad Butlin, Seana Wilson, Sally Anderson, Annie Taylor, Kate Murdoch, Tinsel Edwards, Rachel Megawhat, Jo Mapp, Anita Meyer, Rosa Worley, Scott Robertson, Nick Vivian, Kathryn Reilly (Artificer), Bob Chicalors, David Fryer, Dr. Andrea Hannon, Carolin Wood, Roger Payne, Kellie Hogben, Simon Lee Dicker, Angela Wool, Max kimber, Frantic Sally, Lara Band, Emma Harrison, Peter Henham, A.K.A. The Phantasist)
δ Orionis: Further temporal variability and evidence for small-scale structure in the interstellar medium
No full textWe report here the detection of both spatial and temporal variations in interstellar absorption in the line of sight to δ Orionis. First, we present new high-resolution (R≈110 000) observations of the interstellar D lines of Na i towards both δ Ori A and C. Comparison of these spectra highlights variations in absorption between the two stars, indicative of small-scale spatial structure in the interstellar medium in this direction over distances of less than ≈15 000 au (the projected separation of the two stars). Components with the largest Na i column densities and lowest velocity dispersions are, in general, found to be subject to the greatest differences; in fact the narrowest component detected is only observed in one of the sightlines. This effect has also been reported by Meyer & Blades. Secondly, we present new ultra-high-resolution (R≈900 000) Na i D1 observations and high-resolution (R≈110 000) Ca ii H & K observations of δ Ori A which, through ultra-high-resolution work conducted between 1994 and 2000, has been shown to exhibit a time-variable interstellar Na i absorption component. These new observations, while revealing the further reduction in intensity of the time-variable Na i absorption, indicate constant Ca ii absorption over the same period. This results in a dramatic reduction in the Na°/Ca+ abundance ratio, perhaps indicating the line of sight to be gradually probing a less-dense outer region of an absorbing filament
Review: David Howarth (2000). Discourse
No full textHOWARTH's book is an accessible, readable and concise overview of theories of and approaches to discourse in the human and social sciences, focusing upon LACLAU and MOUFFE's discourse theory approach. The roots of this approach are described in structuralist and post-structuralist theories including the work of SAUSSURE, LEVI-STRAUSS, DERRIDA and FOUCAULT, as well as the MARXism of ALTHUSSER, GRAMSCI and PECHEUX. The book is mostly even-handed and the author takes great care to make his material accessible. However, critical realist alternatives to poststructuralism receive little attention and issues of agency and subjectivity remain problematic. These issues are part of the wider debate between realism and relativism, the intransigence of which is somewhat downplayed in this book. Nevertheless, HOWARTH has produced a valuable resource which should be welcomed by teachers and students in this field.HOWARTH's book is an accessible, readable and concise overview of theories of and approaches to discourse in the human and social sciences, focusing upon LACLAU and MOUFFE's discourse theory approach. The roots of this approach are described in structuralist and post-structuralist theories including the work of SAUSSURE, LEVI-STRAUSS, DERRIDA and FOUCAULT, as well as the MARXism of ALTHUSSER, GRAMSCI and PECHEUX. The book is mostly even-handed and the author takes great care to make his material accessible. However, critical realist alternatives to poststructuralism receive little attention and issues of agency and subjectivity remain problematic. These issues are part of the wider debate between realism and relativism, the intransigence of which is somewhat downplayed in this book. Nevertheless, HOWARTH has produced a valuable resource which should be welcomed by teachers and students in this field.El libro de HOWARTH es una revisión general accesible, legible y concisa de las teorías y enfoques del discurso en las ciencias sociales y humanas, focalizándose en los enfoques de LACLAU y MOUFFE sobre la teoría del discurso. Las raíces de este enfoque son descritas en las teorías estructuralistas y post estructuralistas, incluyendo el trabajo de SAUSSURE, LEVI-STRAUSS, DERRIDA y FOUCAULT, así como el marxismo de ALTHUSSER, GRAMSCI y PECHEUX. El libro es en su mayor parte imparcial y el autor se esfuerza en hacer accesible el material. Sin embargo, las alternativas crítica realistas al post estructuralismo reciben poca atención y asuntos como la gestión humana y la subjetividad permanecen problemáticos. Estas cuestiones son parte del debate más amplio entre realismo y relativismo, intransigencia del cual es de alguna manera presentada en este libro. Sin embargo, HOWARTH ha producido un recurso valioso el cual debería ser bienvenido para maestros y estudiantes en este campo
Reseña: David Howarth (2000). Discourse
No full textHOWARTH's book is an accessible, readable and concise overview of theories of and approaches to discourse in the human and social sciences, focusing upon LACLAU and MOUFFE's discourse theory approach. The roots of this approach are described in structuralist and post-structuralist theories including the work of SAUSSURE, LEVI-STRAUSS, DERRIDA and FOUCAULT, as well as the MARXism of ALTHUSSER, GRAMSCI and PECHEUX. The book is mostly even-handed and the author takes great care to make his material accessible. However, critical realist alternatives to poststructuralism receive little attention and issues of agency and subjectivity remain problematic. These issues are part of the wider debate between realism and relativism, the intransigence of which is somewhat downplayed in this book. Nevertheless, HOWARTH has produced a valuable resource which should be welcomed by teachers and students in this field.
URN: urn:nbn:de:0114-fqs020263HOWARTH's book is an accessible, readable and concise overview of theories of and approaches to discourse in the human and social sciences, focusing upon LACLAU and MOUFFE's discourse theory approach. The roots of this approach are described in structuralist and post-structuralist theories including the work of SAUSSURE, LEVI-STRAUSS, DERRIDA and FOUCAULT, as well as the MARXism of ALTHUSSER, GRAMSCI and PECHEUX. The book is mostly even-handed and the author takes great care to make his material accessible. However, critical realist alternatives to poststructuralism receive little attention and issues of agency and subjectivity remain problematic. These issues are part of the wider debate between realism and relativism, the intransigence of which is somewhat downplayed in this book. Nevertheless, HOWARTH has produced a valuable resource which should be welcomed by teachers and students in this field.
URN: urn:nbn:de:0114-fqs020263El libro de HOWARTH es una revisión general accesible, legible y concisa de las teorías y enfoques del discurso en las ciencias sociales y humanas, focalizándose en los enfoques de LACLAU y MOUFFE sobre la teoría del discurso. Las raíces de este enfoque son descritas en las teorías estructuralistas y post estructuralistas, incluyendo el trabajo de SAUSSURE, LEVI-STRAUSS, DERRIDA y FOUCAULT, así como el marxismo de ALTHUSSER, GRAMSCI y PECHEUX. El libro es en su mayor parte imparcial y el autor se esfuerza en hacer accesible el material. Sin embargo, las alternativas crítica realistas al post estructuralismo reciben poca atención y asuntos como la gestión humana y la subjetividad permanecen problemáticos. Estas cuestiones son parte del debate más amplio entre realismo y relativismo, intransigencia del cual es de alguna manera presentada en este libro. Sin embargo, HOWARTH ha producido un recurso valioso el cual debería ser bienvenido para maestros y estudiantes en este campo.
URN: urn:nbn:de:0114-fqs02026
NEWRETRO REDUX, Alpha 60 Chapter House, Melbourne, 23 February, 2024.
No full textPerformance listing created by the Theatre and Dance Platform for the 2024 performance of NEWRETRO REDUX at Alpha 60 Chapter House for Melbourne Art Fair. Thumbnail image by Claudia HowarthPerformance of NEWRETRO REDUX at Alpha 60 Chapter House for Melbourne Art Fair. NEWRETRO REDUX reconstructs fragments from Lucy Guerin’s incredible back-catalogue, condensing choreography from different time periods into the same temporal space to create a living archive of new, corporeal gestures. Credits: Lucy Guerin, Choreographer and Director; Alice Dixon, Dancer; Amber McCartney, Dancer; Benjamin Hancock, Dancer; Caitlin Mewett, Dancer; Claire Leske, Dancer; Deanne Butterworth, Dancer; Geoffrey Watson, Dancer; Georgia Rudd, Dancer; Michelle Heaven, Dancer; Tra Mi Dinh, Dancer; Jethro Woodward, Sound Designer and Composer; Kate Davis, Costume Designer; Paul Lim, Lighting Designer;
Janice Chalmers, Costume Construction; Robert Downey, Sound Design and Realisation; Claudia Howarth, Stage Manager; Estelle Conley, Producer; Brendan O'Connell and Ally Harvey, Executive Producer
Sustainable Aviation Futures: Crises, Contested Realities and Prospects for Change
No full textPurpose - This chapter examines the torsions and blind spots that structure the contemporary debate on the politics and policy of aviation. It also generates different scenarios for the future of air travel, which can help to unblock the current impasse about the perceived costs and benefits of aviation and its attendant infrastructural needs. Originality - This chapter characterises and evaluates the competing frames that organise the contested realities of air transport. By mapping out the current fault lines of aviation politics and policy, the chapter is also able to delineate four main scenarios regarding the future of aviation, which we name the ?post-carbon?, ?high-modernist?, ?market regulation? and ?demand management? projections respectively. Methodology/approach - The chapter problematises and criticises the existing literature, policy reports and stakeholder briefings that inform the contemporary standoff in UK aviation policy. It uses the definition of sustainable development as a heuristic device to map and identify the fault lines structuring contemporary debates on aviation futures. It then builds upon this analysis to delimit four different scenarios for the future of flying. Findings - The chapter analyses the contested realities of aviation politics. It re-affirms the political nature of such divisions, which in turn structure the rival understandings of aviation. The analysis suggests that the identified fault lines are constantly reiterated by competing appeals to ambiguous and contradictory evidence-bases or policy frames. Ultimately, the chapter claims that any significant reframing of aviation policy and politics rests on the outcome of political negotiations and persuasion. But it also depends on the broader views of citizens and stakeholders about the future challenges facing society, as well as the way in which governments and affected agents put in place and coordinate the multiple arenas in which a dialogue over the future of aviation can be held. Aviation futures cannot be reduced to the narrow confines of the technical merits or claims surrounding the feasibility of policy instruments
Performance Photograph of NEWRETRO: Redux, Alpha 60 Chapter House, Melbourne, 23 February, 2024.
No full textJPEG file uploaded by the Theatre and Dance Platform for the 2024 performance of NEWRETRO REDUX at Alpha 60, Chapter House for Melbourne Art Fair.Performance photograph of dancers Georgia Rudd, Geoffrey Watson and Michelle Heaven performing in NEWRETRO REDUX at Alpha 60 Chapter House as part of Melbourne Art Fair. Credits: Lucy Guerin, Choreographer and Director; Alice Dixon, Dancer; Amber McCartney, Dancer; Benjamin Hancock, Dancer; Caitlin Mewett, Dancer; Claire Leske, Dancer; Deanne Butterworth, Dancer; Geoffrey Watson, Dancer; Georgia Rudd, Dancer; Michelle Heaven, Dancer; Tra Mi Dinh, Dancer; Jethro Woodward, Sound Designer and Composer; Kate Davis, Costume Designer; Paul Lim, Lighting Designer;
Janice Chalmers, Costume Construction; Robert Downey, Sound Design and Realisation; Claudia Howarth, Stage Manager; Estelle Conley, Producer; Brendan O'Connell and Ally Harvey, Executive Producer
Performance Photograph of NEWRETRO: Redux, Alpha 60 Chapter House, Melbourne, 23 February, 2024.
No full textJPEG file uploaded by the Theatre and Dance Platform for the 2024 performance of NEWRETRO REDUX at Alpha 60, Chapter House for Melbourne Art Fair.Performance photograph of dancer Benjamin Handcock performing in NEWRETRO REDUX at Alpha 60 Chapter House as part of Melbourne Art Fair. Credits: Lucy Guerin, Choreographer and Director; Alice Dixon, Dancer; Amber McCartney, Dancer; Benjamin Hancock, Dancer; Caitlin Mewett, Dancer; Claire Leske, Dancer; Deanne Butterworth, Dancer; Geoffrey Watson, Dancer; Georgia Rudd, Dancer; Michelle Heaven, Dancer; Tra Mi Dinh, Dancer; Jethro Woodward, Sound Designer and Composer; Kate Davis, Costume Designer; Paul Lim, Lighting Designer;
Janice Chalmers, Costume Construction; Robert Downey, Sound Design and Realisation; Claudia Howarth, Stage Manager; Estelle Conley, Producer; Brendan O'Connell and Ally Harvey, Executive Producer
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