1,720,964 research outputs found
The New Art of Being Amateur: Distance as Participation
This article discusses the recent surge and interest in what may be described as ‘amateur’ art, relating it to other amateur practices in different fields. These works would not fit into a narrative of relational aesthetics; rather, they appear closer to a Rancierean act of archive excavation into forms of expression that fall outside professional realms. The text interrogates how they stand in relation to the flow of ‘official’ culture by an exploration of the themes of participation and equality. The amateur works at a professional level yet could be even more effective in terms of productivity and innovation, not by appropriating the professional space but precisely by distancing his or her work from it. This key notion of a ‘distance’ is discussed with reference to Boris Groys’ writings about the equality of images under their factual inequality, in order to establish how amateur practices confirm the territorial differences between different spheres of production yet could engage and potentially disrupt the hierarchy of values that sustain those spheres
Disturbios culturales
Book synopsis: As part of its collection of Social Sciences and History, Editions UDP presented a volume entitled "Cultural Unrest", edited by researcher Joseph Ossandón ICSO and academic Lucia Vodanovic. The book collects interviews with contemporary thinkers relevant fields of study such as sociology, philosophy, art history and postcolonial thought
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Confessional Journalism, Authenticity and Lived Experiences: A Case Study of News Stories Published During the Irish Abortion Referendum
As part of a societal preoccupation with subjectivity and emotions, a discussion of authenticity has started to emerge in the professional practice of journalism. This is similar yet different to the more traditional notion of credibility: while credibility has connotations of truth-telling and unbiased reporting, authenticity points to other features, such as genuineness, intimacy, and, notoriously, trust, derived from what is regarded as an honest self. This article discusses the shift from a theoretical perspective and through an analysis of newspaper pieces written around the Irish Abortion Referendum of 2018. While some of these stories could be uncritically framed in the tradition of the so-called “personal essay” that is associated with “click-bait” journalism and cheap content, the article proposes that they present personal stories as a form of “witnessing” (Peters 2001) and “bearing witness” (Tait 2011), both of the journalists and writers’ own experiences and the experiences of others. The reflective tone becomes a dialogical form of correspondence between the author and the reader, where authenticity is derived in the relationship between the writer, the text, and the audience
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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