1,721,013 research outputs found
Quasilinear Wave Equations with Decaying Time-Potential
An active area of recent research is the study of global existence and blow up for nonlinear wave equations where time depending mass or damping are involved. The interaction between linear and nonlinear terms is a crucial point in determination of global evolution dynamics. When the nonlinear term depends on the derivatives of the solution, the situation is even more delicate. Indeed, even in the constant coefficients case, the null conditions strongly relate the symbol of the linear operator with the form of admissible nonlinear terms which leads to global existence. Some peculiar operators with time-dependent coefficients lead to a wave operator in which the time derivative becomes a covariant time derivative. In this paper we give a blow up result for a class of quasilinear wave equations in which the nonlinear term is a combination of powers of first and second order time derivatives and a time-dependent factor. Then we apply this result to scale invariant damped wave equations with nonlinearity involving the covariant time derivatives
A Blow-Up Result for a Generalized Tricomi Equation with Nonlinearity of Derivative Type
In this note, we prove a blow-up result for a semilinear generalized Tricomi equation with nonlinear term of derivative type, i.e., for the equation Tlu=|∂tu|p, where Tl=∂t2-t2lΔ. Smooth solutions blow up in finite time for positive Cauchy data when the exponent p of the nonlinear term is below QQ-2, where Q= (l+ 1) n+ 1 is the quasi-homogeneous dimension of the generalized Tricomi operator Tl. Furthermore, we get also an upper bound estimate for the lifespan
Decay for nonlinear Klein-Gordon equations
We study the asymptotic behavior of the semilinear Klein-Gordon equation with nonlinearity of fractional order. By the aid of a suitable generalization of the weighted Sobolev spaces we define the weighted Sobolev spaces on the upper branch of the unit hyperboloid. In these spaces of fractional order we obtain a weighted Sobolev embedding and a nonlinear estimate. Using these, we establish the decay estimate of the solution for large time provided the power of nonlinearity is greater than a critical value
Fujita modified exponent for scale invariant damped semilinear wave equations
The aim of this paper is to prove a blow-up result of the solution for a semilinear scale invariant damped wave equation under a suitable decay condition on radial initial data. The admissible range for the power of the nonlinear term depends both on the damping coefficient and on the pointwise decay order of the initial data. In addition, we give an upper bound estimate for the lifespan of the solution. It depends not only on the exponent of the nonlinear term and not only on the damping coefficient but also on the size of the decay rate of the initial data
Nonexistence of global solutions for generalized Tricomi equations with combined nonlinearity
In the present paper, we investigate the blow-up dynamics for local solutions to the semilinear generalized Tricomi equation with combined nonlinearity. As a result, we enlarge the blow-up region in comparison to the ones for the corresponding semilinear models with either power nonlinearity or nonlinearity of derivative type. Our approach is based on an iteration argument to establish lower bound estimates for the space average of local solutions. Finally, we obtain upper bound estimates for the lifespan of local solutions as byproduct of our iteration argument
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Weighted Sobolev spaces applied to nonlinear Klein-Gordon equation
In this work we study the decay properties of the semilinear Klein-Gordon equation with nonlinearity of fractional order. By the aid of a suitable generalization of the weighted Sobolev spaces we define the weighted Sobolev spaces on the upper branch of the unit hyperboloid: X = {(t, x) \ t(2) - \x\(2) = 1, t greater than or equal to 1}. In these spaces of fractional order we obtain a weighted Sobolev inequality and a nonlinear estimate. Using these estimates we study the decay property of the solution for large t provided the power of nonlinearity is greater than a critical value. (C) Academie des Sciences/Elsevier, Paris
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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