1,721,067 research outputs found
MS Junius 11 and Malmesbury (II)
No full textLucas Peter-J. MS Junius 11 and Malmesbury (II). In: Scriptorium, Tome 35 n°1, 1981. pp. 3-22
MS Junius 11 and Malmesbury
No full textLucas Peter-J. MS Junius 11 and Malmesbury. In: Scriptorium, Tome 34 n°2, 1980. pp. 197-220
Un nouveau manuscrit daté : Le Bénédictionnaire d'Armand de Narcès, archevêque d'Aix-en-Provence (1329-48), retrouvé à Maynooth en Irlande
No full textLucas Peter-J. Un nouveau manuscrit daté : Le Bénédictionnaire d'Armand de Narcès, archevêque d'Aix-en-Provence (1329-48), retrouvé à Maynooth en Irlande. In: Scriptorium, Tome 64 n°1, 2010. pp. 120-126
Lost and Found: Some Manuscripts from Liège now in Maynooth
No full textLucas Angela-M., Lucas Peter-J. Lost and Found: Some Manuscripts from Liège now in Maynooth. In: Scriptorium, Tome 58 n°1, 2004. pp. 83-99
Lucas, Peter J. 2024. Old English Poetry from Manuscript to Message. Utrecht Studies in Medieval Literacy 58. Turnhout: Brepols. Pp. xviii + 398. ISBN 9782503600314.
Full text linkBook review of Lucas, Peter J. 2024. Old English Poetry from Manuscript to Message. Utrecht Studies in Medieval Literacy 58. Turnhout: Brepols. Pp. xviii + 398. ISBN 9782503600314
Reconstructing a Disarranged Manuscript : The Case of MS. Harley 913, a Medieval Hiberno-English Miscellany
No full textLucas Angela-M., Lucas Peter-J. Reconstructing a Disarranged Manuscript : The Case of MS. Harley 913, a Medieval Hiberno-English Miscellany. In: Scriptorium, Tome 44 n°2, 1990. pp. 286-299
Lucas, Peter J. 2024. Printing Anglo-Saxon from Parker to Hickes and Wanley. With a Catalogue of Early Printed Books Containing Anglo-Saxon 1566–1705. Library of the Written World 105. Leiden: Brill. Pp. xxiv + 708. ISBN 9789004516977.
Full text linkBook review of Lucas, Peter J. 2024. Printing Anglo-Saxon from Parker to Hickes and Wanley. With a Catalogue of Early Printed Books Containing Anglo-Saxon 1566–1705. Library of the Written World 105. Leiden: Brill. Pp. xxiv + 708. ISBN 9789004516977
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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