1,721,402 research outputs found
Spence, Louis Thomas, 011315
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/428498Surname: Spence. Given Name(s) or Initials: Louis Thomas. Military Service Number or Last Known Location: 011315. Prisoner of War Enquiry Card Index Number: K/3. Division Enquiry: NSE Qld. Rank: W Cdr. Unit: 77th Sqn. (DFC)327254
Item: [2016.0049.60760] "Spence, Louis Thomas, 011315
ANALISIS DOG TROT KOMPOSISI ENSAMBEL SAXOPHONE KARYA LOUIS THOMAS HARDIN
Full text linkPenelitian ini berjudul “Analisis Dog Trot Komposisi Ensambel Saxophone Karya Louis Thomas Hardin”. Penelitian ini bertujuan untuk mengetahui bagaimana pengolahan melodi dan harmonisasi pada bagian-bagian komposisi Dog Trot karya Louis Thomas Hardin yang dimainkan oleh ensambel saxophone yang terdiri dari lima instrumen jenis saxophone, yang terdiri dari sopran saxophone 1, sopran saxophone 2, alto axophone 1, alto axophone 2, tenor saxophone 1, tenor saxophone 2, baritone saxophone 1, baritone saxophone 2 dan bass saxophone. Fokus penelitian ini lebih tertuju pada konsep pengolahan melodi dan harmonisasi secara vertikal maupun secara horizontal pada komposisi Dot Trot karya Louis Thomas Hardin, yang merupakan seorang musisi tuna netra. Untuk menjawab semua pertanyaan penelitian, maka dilakukan teknik pengumpulan data melalui metode deskriptif analisis dengan pendekatan kualitatif. Data-data diperoleh melalui studi literatur berupa partitur dan buku yang terkait, juga dengan pengumpulan dokumentasi audio dan video melalui CD dan media internet. Berdasarkan hasil temuan penelitian, ternyata komposisi Dog Trot memiliki konsep polifon dan konsep homofon yang dibangun oleh pengolahan melodi dan harmonisasi pada masing-masing instrumen dengan melodi frase yang terdapat pada komposisi Dog Trot, adapun terdapat bagian melodi kanon yang diciptakan oleh Louis Thomas Hardin yang berupa siklus pengulangan dan pengembangan dengan konsep pola sahutan pada ensambel saxophone.;--The title of this research is "Analysis of the Dog Trot Composition of Saxophone Ensemble by Louis Thomas Hardin". This research aims to know how the melody processing and harmonization in the composition of the Dog Trot by Louis Thomas Hardin, played by saxophone ensembles that consist of five saxophone type instruments which are soprano saxophone 1, soprano saxophone 2, alto saxophone 1, alto saxophone 2, tenor saxophone 1, tenor saxophone 2, baritone saxophone 1, baritone saxophone 2 and bass saxophone. The focus of this research is more on the concept of melody processing and harmonization vertically or horizontally on the composition of Dot Trot by Louis Thomas Hardin, who is a blind musician. To answer all research questions, a data collection technique was carried out through a descriptive analysis method with a qualitative approach. The data is obtained through literature studies in the form of scores and related books, also by collecting audio and video documentation through CDs and internet media. Based on the research findings, it turns out that the composition of the Dog Trot has polyphonic and homophonic concepts built by melody processing and harmonization of each instrument with the phrase melody contained in the Dog Trot composition, while there is a canon melody part created by Louis Thomas Hardin in the form the cycle of repetition and development with the concept of a reply pattern on the saxophone ensemble
Leibrich (Louis). Thomas Mann. Une recherche spirituelle
No full textSchreiber Simon. Leibrich (Louis). Thomas Mann. Une recherche spirituelle. In: Revue belge de philologie et d'histoire, tome 59, fasc. 3, 1981. Langues et littératures modernes — Moderne taal- en letterkunde. pp. 782-783
The story of Moondog, circa 1971-1973
No full textThe story of Moondog features a performance of the 1957musical piece "The Story of Moondog" by Louis Thomas Hardin, also known as Moondog, circa 1971-1973
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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