1,721,042 research outputs found
La "competenza partenopea" per i reati riferiti alla gestione dei rifiuti e in materia ambientale, in Aa.Vv., Le nuove norme sulla sicurezza pubblica, a cura di S. Lorusso, Padova, Cedam.
No full textInterpretazione delle nuove disposizioni contenute nel d.l. 23 maggio 2008, conv. nella l. 14 luglio 2008, n.90
INTERDISCIPLINARITY, ETHICS AND TERRITORIAL PLANNING
No full textRepresenting a phenomenon of social aggregation, the settlements of the rock civilization of Fasano and Monopoli in Brindisi, Italy and their recovery, is one of the objectives pursued by the technical-scientific committee of the San Domenico Foundation, which involves experts at national and international level. This paper, presented at the 8th International Conference, intends to highlight how art, as a testimony of these settlements in the area of this rock civilization, is not attributable only to beauty, but also to ethics, and as such, is synonymous with identity. This leads to concepts and meanings deriving from interdisciplinarity, sustainability, planning, territorial development, as well as the need to train a specialized and multi-faceted professional figure who is qualified to operate in the field of the protection and valorisation of the past, in order to be able to competently pass it on through to the future
Processo a distanza e diritto di difesa. Questioni in tema di accertamento della condotta di partecipazione in associazione di tipo mafioso
No full textAnalisi critica di una decisione di legittimità (Cass., sez. V, 23 luglio 2020, n. 25838) che ha riguardato le modalità di partecipazione a distanza all’udienza di riesame in un processo relativo all'accertamento di fatti di mafia. Oltre che sull'eventuale esistenza di invalidità processuali il contributo si sofferma sui criteri valutativi utilizzati in questa peculiare tipologia di accertamenti
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
VIRUS, ART AND FAITH: HOW TO RESPOND TO COVID-19 (CORONAVIRUS DISEASE 2019)
No full text“We are not living an epoch of change so much as an epochal change”, to quote Pope Francis. And in this new world full of new challenges, difficult to understand, the pandemic has prevented us from having direct and indirect contact, from sharing, from alterity. And in art, a well-known introspective tool for exploring the soul and the body, what are the responses and reactions in considering the present dramatic and lasting pandemic moment? And can faith offer a new perspective in a world where the main social projects have proved inadequate? That is to say the same faith from which the need to develop research, in all its forms and levels, starting with scientific research, as a service and as a way to invest in “construction”
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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