1,721,019 research outputs found
Lorenzo Gagliardi, Cesare, Pompeo e la lotta per le magistrature. Anni 52-50 a. C. Milan, Giuffrè, 2011
No full textTorrens Philippe. Lorenzo Gagliardi, Cesare, Pompeo e la lotta per le magistrature. Anni 52-50 a. C. Milan, Giuffrè, 2011. In: L'antiquité classique, Tome 81, 2012. pp. 492-494
Lorenzo Gagliardi, Cesare, Pompeo e la lotta per le magistrature. Anni 52-50 a. C. Milan, Giuffrè, 2011
No full textTorrens Philippe. Lorenzo Gagliardi, Cesare, Pompeo e la lotta per le magistrature. Anni 52-50 a. C. Milan, Giuffrè, 2011. In: L'antiquité classique, Tome 81, 2012. pp. 492-494
Investigating conspiracy beliefs: methodological biases and experimental challenges
No full textIn recent years several studies have investigated conspiracy beliefs employing correlational designs which heavily relied on self-reported measures. While the limitations of surveys are well-known, we argue that risks of social desirability bias and survey spillover effects are peculiarly high for conspiracy studies where scales are often built on explicit conspiracy cues that may trigger stigmatization and/or priming effects, resulting in beliefs misreporting. These limitations call for a shift towards a laboratory-based methodology, but a survey-free experimental paradigm has not emerged yet; and it might be for good reasons. In fact, there is something inherently contradictory in studying conspiracy beliefs, as the subject of the study itself is anti-scientific. In the light of this contradiction, this paper’s aim is two-fold: first, we will review the limitations of self-reported measures for studying conspiracy beliefs; second, we will discuss the challenges of investigating such an ambiguous phenomenon in an experimental setting
Recensión a Lorenzo Gagliardi, Decemviri e centumviri. Origini e competenze.
No full textL'ouvrage de Lorenzo Gagliardi, spécialiste de renom en droit grec et romain, porte sur les vicissitudes historiques de deux importants organes juridictionnels: les decemviri stlitibus iudicandis, magistrature à laquelle l'auteur dédie la première partie du livre, et le tribunal des centumviri, examiné dans la deuxième partie du livre. L'auteur commence par la magistrature des decemviri stlitibus iudicandis et retrace dans le chapitre I le problème de son origine, en passant en revue les différentes positions soutenues par la doctrine à la lumière du contenu de Dion. 4.25.2; Liv. 3.55.7; et Pomp. l.s.enchir. D. 1.2.2.29 (pp. 21 ss.). Huschke situe l'origine de cette magistrature au temps de Servius Tullius, et prend appui sur le passage de Dio Cassius, de sorte que les affaires privées seraient résolues par des juges privés, tandis que les affaires criminelles d'ordre public seraient de la compétence de Servius Tullius lui-même. Plus tard, à cause de l'apparition d'autres organes juridictionnels, la compétence des decemviri serait limitée aux affaires de liberté (p. 5)
I “Sette contro Tebe” e la spartizione dell’eredità di Edipo
No full textLa scarsità di fonti tecniche nel diritto attico autorizza e incoraggia l''impiego di fonti letterarie per colmare importanti lacune nella conoscenza di determinati meccanismi giuridici. La tragedia, in particolare, recepisce spesso, in forma problematica, l''eco di questioni giuridiche dibattute. Nei Sette contro Tebe eschilei l''accenno ripetuto al tema della spartizione e della successione ereditaria e l''utilizzo di un lessico tecnico contribuisce a far luce su uno degli argomenti più oscuri del diritto dell''Atene classic
Gynaikonomein : itorno ad una magistratura ateniese del 4. secolo ed alla sua presenza nelle fonti teatrali greche e romane
No full textAn analysis of the origin, role and function of the "gynaikonomoi" in late fourth-century Athens
Pro tam magna sui confidentia.
No full text1. – Il ratto prima di Costantino.
2. - L’editto di Costantino sulla repressione del “raptus”: CTh.9.24.1.
3. - Cenni sugli sviluppi della disciplina costantiniana.
4. – Il bene protetto e il contesto normativo.
5. - La virgo volens e la sua nutrice.
6. - Il contesto storico.
7. – I destinatari dell’edictum.
8.- L’ordo decurionum e le sue funzioni nel IV secolo.
9. - Uomini, donne e patrimoni.
10. - Il raptor depectus.
11.- Donne e patrimoni.
12. - Rei publicae incommodum est curias hominum paucitate languescer
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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