6,098 research outputs found
Dr Hannah Graham on Australian leadership: Integrity, relational leadership and tenacious courage of conviction
Full text linkHannah Graham talks to Victor Perton about Australian Leadership. Criminologist, author and university lecturer Dr Hannah Graham was born in Tasmania and studied and worked at the University of Tasmania, before moving to Scotland to work in the Scottish Centre for Crime and Justice Research at the University of Stirling. Hannah has worked on justice and health-related projects with the EU, the Scottish Government, the Australian Government and Tasmanian Government, and she does ongoing research and writing on innovation and justice. Connect to Hannah on Twitter: @DrHannahGraham and @Innovative_Jus
Annual budget (Graham County, Ariz.)
No full textThe Board of Supervisors make an estimate of the different amounts required to meet the public expenditures/expenses for the ensuing year, also an estimate of revenues from sources other than direct taxation, and the amount to be raised by taxation upon real and personal property of Graham County.Electronic version includes only selected pages and lacks a title page
Boats and boatsheds on the waterfront, 1909 /
No full textTitle devised by cataloguer.; Part of the collection: Album presented to Lord Chelmsford as congratulations, New South Wales, 1909.; Signed and dated by artist, bottom right of image.; Also available online at: http://nla.gov.au/nla.pic-vn6570571-s25
Stephen Graham Jones - Sowell Conference 2017
Full text linkStephen Graham Jones, University of Colorado-Boulder, author of "Mongrels" and "Growing Up Dead in Texas
Graham Greene An Approach to the Novels
No full textThis study reveals Greene in a dual role as author, one who projects literary experience into his view of life and subsequently projects both his experience and its "literary" interpretation into his fiction; and it defines two phases of Greenes novels through the changing relationship between writer and protagonists. The first phase progresses from acutely sensitive, self-divided young men somewhat like the young Greene to embittered, alienated characters ostensibly at great distance from their creator. The second phase (1939) includes a series of "portraits of the artist" through which Greene confronts more directly the tensions and conflicts of his private life.Book Cover -- Half-Title -- Title -- Copyright -- Dedication -- Contents -- Introduction -- Acknowledgements -- GRAHAM GREENE -- CHAPTER ONE Protagonists of the First Phase -- YOUTH -- DIVIDED SELVES -- WOMEN AND REDEMPTION -- MARRIAGE IN THE FIRST PHASE -- THE LITERARY FRAME -- THE FIRST-PHASE PROTAGONIST AND THE AUTHOR -- CHAPTER TWO Letters and Diaries -- LETTERS TO VIVIEN -- DIARIES -- CHAPTER THREE A Gun for Sale -- A GUN FOR SALE AND BROWNING'S "CHILDE ROLAND" -- A GUN FOR SALE AND TENNYSON'S MAUD -- CHAPTER FOUR Brighton Rock -- PINKIE AS NAPOLEONIC STRATEGIST -- CHARACTERS AND NAMES -- BRIGHTON ROCK AS A FAUSTIAN NOVEL -- CHAPTER FIVE Protagonists of the Second Phase -- AGE -- CHILDREN AND CHILDHOOD -- SELF-DIVISION -- MARRIAGE IN THE SECOND PHASE -- CHAPTER SIX The Strategy of Allusion in the Second Phase -- TOWARD THE WRITER AS PROTAGONIST -- CHAPTER SEVEN Portraits of the Artist -- CHAPTER EIGHT Travels with My Aunt -- CHAPTER NINE The Honorary Consul -- CHAPTER TEN The Human Factor -- CHAPTER ELEVEN Dr. Fischer of Geneva -- CHAPTER TWELVE Monsignor Quixote -- POSTSCRIPT: "YOUR DREAM HAS BEEN YOUR LIFE. -- CHAPTER THIRTEEN The Captain and the Enemy -- FINIS -- Selected Bibliography -- (A) WORKS BY GRAHAM GREENE -- (B) CRITICAL AND BIOGRAPHICAL WORKS -- Index -- Permissions Acknowledgements -- PENGUIN PUTNAM INC. -- SIMON & -- SCHUSTERThis study reveals Greene in a dual role as author, one who projects literary experience into his view of life and subsequently projects both his experience and its "literary" interpretation into his fiction; and it defines two phases of Greenes novels through the changing relationship between writer and protagonists. The first phase progresses from acutely sensitive, self-divided young men somewhat like the young Greene to embittered, alienated characters ostensibly at great distance from their creator. The second phase (1939) includes a series of "portraits of the artist" through which Greene confronts more directly the tensions and conflicts of his private life.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
The Massett-Graham Island Coal Company: the Nearest Coal Fields to Prince Rupert:
Full text linkThis little booklet is compiled to show the possibilities of the property controlled by this company in The Graham Island Coal Fields, near Prince Rupert, British Columbia Canada.--P. [1
Revisiting the sublime history: Dickens, Christianity, and The life of Our Lord
No full textWhile the study of Charles Dickens’s religion has produced various results, few would contest that Dickens’s religious views are shaped by his peculiar emphasis on Jesus and the Gospels. As to the precise nature of his views and the degree to which his commitment to the Christian faith extends, however, a much lesser degree of consensus has been established. I attempt to demonstrate here that at the heart of his work is a conspicuous Christian worldview, which is grounded squarely in the imitation of Jesus and which pervades his life and his work in the most profound yet unobtrusive ways. I argue, then, that Dickens’s The Life of Our Lord is a definitive source in the Dickens corpus for our understanding of his Christian thought and worldview. Moreover, as a serious expression of Dickens’s understanding of Christianity, The Life of Our Lord also functions as an index to his Christian thought in the larger Dickens corpus.
Of first importance then, I attempt to establish the authority of The Life of Our Lord as a composition that will bear the full weight of such assertions. Then, I analyze its content as to its implicit theology in order to establish not only its thoroughgoing Christian character but also to demonstrate that it reveals Dickens’s own genuine Christian conviction manifested in all his work. Drawing the work to a close, I attempt to demonstrate how The Life of Our Lord helps us to understand Dickens’s churchmanship and his relationship to the church. In the end, I comment on its intended purpose as moral instruction for his children exemplifying his understanding of Christianity. The study demonstrates throughout how the Christianity embodied and articulated in The Life of Our Lord is consistently and naturally reflected in all of Dickens’s work, whether fiction, journalism or correspondence
Author Geraldine Brooks, Sydney, 1997 [picture] /
No full textTitle from acquisitions documentation see file, NLA11/672.; Part of the collection: Portraits of significant Australians, 1980-2003.; Acquired in digital format; access copy available online.; Mode of access: Online.; Purchased from the photographer 2012
Author Robert Drewe, Sydney, 2003 [picture] /
No full textTitle from acquisitions documentation see file, NLA11/672.; Part of the collection: Portraits of significant Australians, 1980-2003.; Acquired in digital format; access copy available online.; Mode of access: Online.; Purchased from the photographer 2012
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