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    A requalificação sensorial do Palácio Almada-Carvalhais

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    Dissertação de Mestrado Integrado em Arquitetura, com a especialização em Arquitetura, apresentada na Faculdade de Arquitetura da Universidade de Lisboa para obtenção do grau de Mestre.O tema dos aspectos sensoriais no âmbito da arquitectura deriva do papel que esta tem enquanto espaço que integra e interage com o Homem, exercendo influência sobre ele tanto ao nível físico como psicológico. A inclusão de todos os sentidos na apreensão da arquitectura promove experiências mais ricas e diversificadas levando a um maior envolvimento do Homem no espaço, assim fomentando a consciência do seu próprio papel no mundo. Compreende-se deste modo a relevância dos aspetos relacionados com a percepção sensorial da arquitectura, procurando este trabalho desenvolver a sensibilidade do arquitecto para a apreensão daquilo que o rodeia, dando-lhe a conhecer os meios e ferramentas que entram em jogo nestes processos, bem como as suas implicações, de modo a gerar um entendimento que lhe permita desenvolver estratégias para a aplicação destes princípios à prática. Tal foi o que se procurou fazer neste caso, na reabilitação do quarteirão do palácio Almada-Carvalhais, na zona da Boavista, em Lisboa. PALAVRAS-CHAVE: Percepção . Sentidos . Som . Requalificação . Palácio Almada-Carvalhais REABILITAR COM SENTIDO(S) A Requalificação Sensorial do Palácio Almada-Carvalhais ANDREIA FILIPA FERNANDES LOPES ABSTRACT The subject of the sensory aspects in architecture results from its role as space that integrates and interacts with man, exerting influence on him both physically and psychologically. The inclusion of all the senses in the apprehension of architecture promotes richer and more diverse experiences leading to a greater sense of involvement of man in space, and thus promoting awareness of his role in the world. In this way we understand the relevance of the aspects related to the perception of architecture, seeking in this work the development of the architect’s sensitivity to what surrounds him, making him aware of the ways and tools that come into play in these processes, as well as their implications, in order to generate an understanding that will allow him to develop strategies for applying these principles to practice. That was what was sought to do in the case of the rehabilitation of the block that includes the Almada-Carvalhais palace, located in the Boavista area of Lisbon.N/

    A requalificação sensorial do Palácio Almada-Carvalhais

    No full text
    Dissertação de Mestrado Integrado em Arquitetura, com a especialização em Arquitetura, apresentada na Faculdade de Arquitetura da Universidade de Lisboa para obtenção do grau de Mestre.O tema dos aspectos sensoriais no âmbito da arquitectura deriva do papel que esta tem enquanto espaço que integra e interage com o Homem, exercendo influência sobre ele tanto ao nível físico como psicológico. A inclusão de todos os sentidos na apreensão da arquitectura promove experiências mais ricas e diversificadas levando a um maior envolvimento do Homem no espaço, assim fomentando a consciência do seu próprio papel no mundo. Compreende-se deste modo a relevância dos aspetos relacionados com a percepção sensorial da arquitectura, procurando este trabalho desenvolver a sensibilidade do arquitecto para a apreensão daquilo que o rodeia, dando-lhe a conhecer os meios e ferramentas que entram em jogo nestes processos, bem como as suas implicações, de modo a gerar um entendimento que lhe permita desenvolver estratégias para a aplicação destes princípios à prática. Tal foi o que se procurou fazer neste caso, na reabilitação do quarteirão do palácio Almada-Carvalhais, na zona da Boavista, em Lisboa. PALAVRAS-CHAVE: Percepção . Sentidos . Som . Requalificação . Palácio Almada-Carvalhais REABILITAR COM SENTIDO(S) A Requalificação Sensorial do Palácio Almada-Carvalhais ANDREIA FILIPA FERNANDES LOPES ABSTRACT The subject of the sensory aspects in architecture results from its role as space that integrates and interacts with man, exerting influence on him both physically and psychologically. The inclusion of all the senses in the apprehension of architecture promotes richer and more diverse experiences leading to a greater sense of involvement of man in space, and thus promoting awareness of his role in the world. In this way we understand the relevance of the aspects related to the perception of architecture, seeking in this work the development of the architect’s sensitivity to what surrounds him, making him aware of the ways and tools that come into play in these processes, as well as their implications, in order to generate an understanding that will allow him to develop strategies for applying these principles to practice. That was what was sought to do in the case of the rehabilitation of the block that includes the Almada-Carvalhais palace, located in the Boavista area of Lisbon.N/

    A requalificação sensorial do Palácio Almada-Carvalhais

    No full text
    Dissertação de Mestrado Integrado em Arquitetura, com a especialização em Arquitetura, apresentada na Faculdade de Arquitetura da Universidade de Lisboa para obtenção do grau de Mestre.O tema dos aspectos sensoriais no âmbito da arquitectura deriva do papel que esta tem enquanto espaço que integra e interage com o Homem, exercendo influência sobre ele tanto ao nível físico como psicológico. A inclusão de todos os sentidos na apreensão da arquitectura promove experiências mais ricas e diversificadas levando a um maior envolvimento do Homem no espaço, assim fomentando a consciência do seu próprio papel no mundo. Compreende-se deste modo a relevância dos aspetos relacionados com a percepção sensorial da arquitectura, procurando este trabalho desenvolver a sensibilidade do arquitecto para a apreensão daquilo que o rodeia, dando-lhe a conhecer os meios e ferramentas que entram em jogo nestes processos, bem como as suas implicações, de modo a gerar um entendimento que lhe permita desenvolver estratégias para a aplicação destes princípios à prática. Tal foi o que se procurou fazer neste caso, na reabilitação do quarteirão do palácio Almada-Carvalhais, na zona da Boavista, em Lisboa. PALAVRAS-CHAVE: Percepção . Sentidos . Som . Requalificação . Palácio Almada-Carvalhais REABILITAR COM SENTIDO(S) A Requalificação Sensorial do Palácio Almada-Carvalhais ANDREIA FILIPA FERNANDES LOPES ABSTRACT The subject of the sensory aspects in architecture results from its role as space that integrates and interacts with man, exerting influence on him both physically and psychologically. The inclusion of all the senses in the apprehension of architecture promotes richer and more diverse experiences leading to a greater sense of involvement of man in space, and thus promoting awareness of his role in the world. In this way we understand the relevance of the aspects related to the perception of architecture, seeking in this work the development of the architect’s sensitivity to what surrounds him, making him aware of the ways and tools that come into play in these processes, as well as their implications, in order to generate an understanding that will allow him to develop strategies for applying these principles to practice. That was what was sought to do in the case of the rehabilitation of the block that includes the Almada-Carvalhais palace, located in the Boavista area of Lisbon.N/

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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