1,720,976 research outputs found

    Detecting clauses and their dependencies in signed utterances: A syntactico-semantic approach

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    Investigating the syntactic structure of utterances with multiple predicates in sign languages requires a clear understanding of how many finite and infinitival clauses they contain and which syntactic dependencies exist between them. Since the sign language literature currently lacks a standardized methodology for identifying clause boundaries, this paper discusses syntactico-semantic diagnostics of clausehood and clause size and analyzes their applicability to American Sign Language (ASL) and German Sign Language (DGS). First, I discuss tests that distinguish coordinated clauses from dependent clause structures; specifically negation, A’-movement, and subject pronoun copy. Limitations of 'wh'- and topic fronting as clausehood diagnostics are identified and a modified subject pronoun copy test is proposed. Determining whether a given utterance contains coordinated or dependent clauses is only half the battle, however; we also want to know the approximate “size” of the constituent an embedded predicate projects. The present study takes a first pass at filling this gap by introducing rightward 'wh'-movement and confirming center-embedding as diagnostics that can discriminate between finite and infinitival clauses in signed languages. Based on acceptability judgments from 13 native signers of DGS and ASL, I show that 'wh'-subjects can move across infinitival control complements and the secondary predicates of resultative constructions, but they cannot cross a finite complement clause. The diagnostic thus provides empirical evidence for the existence of various types of embedded clauses in signed languages that differ in their functional structure

    The linguistic sources of offense of taboo terms in German Sign Language

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    Taboo terms offer a playground for linguistic creativity in language after language, and sign languages form no exception. The present paper offers the first investigation of taboo terms in sign languages from a cognitive linguistic perspective. We analyze the linguistic mechanisms that introduce offense, focusing on the combined effects of cognitive metonymy and iconicity. Using the Think Aloud Protocol, we elicited offensive or crass signs and dysphemisms from nine signers. We find that German Sign Language uses a variety of linguistic means to introduce and enhance offense, many of which rely on iconic properties of the taboo sign. In conjunction with cross-linguistically common metonymic word-formation strategies, the degree of visual explicitness of a sign increases its potential to offend. Semantically similar taboo signs based on the same metonymic anchor but differing in their degree of iconicity also differ in offensiveness. This allows for creating dysphemisms and euphemisms via phonological changes to a sign. We further show that embodiment creates modality-enhanced ‘vicarious embarrassment’ in the viewer that results in the respective signs being judged obscene or offensive. Further, lexical blending and non-manual enhancement play a role in the creation of dysphemisms in DGS. Lastly, we propose that iconicity as a cognitive structuring principle of linguistic expressions constrains the possible semantic extensions of iconic taboo terms

    Polar response strategies across modalities: Evidence from German Sign Language (DGS)

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    Abstract: Research on spoken languages has shown that response particles may indicate the truth of a previous utterance or the polarity of the response. In responses to negative antecedents, the two functions come apart and particles become ambiguous. We present the first quantitative study on response strategies in sign languages by discussing data from a production experiment in German Sign Language ( Deutsche Gebärdensprache ; DGS). The results indicate that DGS does not exploit the potential of simultaneous manual and nonmanual strategies to disambiguate responses. Still, the type of articulator influences the choice of response element. We propose an optimality-theoretic model to account for the role of articulator type, the disambiguation potential, and the morphosyntax of response elements in DGS

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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