7,303 research outputs found
Ep. #184 - Natalie Loveless
No full textThis recording and transcript form part of a collection of podcasts conducted by the Cultures of Energy at Rice University. Cultures of Energy brings writers, artists and scholars together to talk, think and feel their way into the Anthropocene. We cover serious issues like climate change, species extinction and energy transition. But we also try to confront seemingly huge and insurmountable problems with insight, creativity and laughter.Dominic and Cymene celebrate the one thing the USA ever did right—Mr. Rogers. And we wonder whether there is such a thing as Canadian BBQ. Then (13:02) the delightful Natalie Loveless (http://loveless.ca/about) joins the pod. She is the author of a forthcoming book with Duke University Press, How to Make Art at the End of the World: A Manifesto for Research-Creation, and that’s where we begin the conversation with a discussion of the relatively new domain of “research-creation” in Canadian higher education and its potential to help expand who belongs in universities and their modes of legitimate practice. We turn from there to the dilemmas of teaching climate catastrophe to students and her new book project, Sensing the Anthropocene: Aesthetic Attunement in an age of Urgency, which connects research-creation to climate justice. We talk about relation as artistic form and why she thinks it is so crucial that Anthropocene art pursue ecological forms that rupture the systems that brought us to our present circumstances. Finally, we discuss why it’s important not to be captured by the tools and temporalities of university audit culture, her thoughts on the Anthropocene concept as lure and barnacle, and how we might build a feminist university of creativity, experiment and with an eros that is cathected, committed and sustaining
Natalie\u27s Hair was Wild
No full textNatalie\u27s hair is wild, and all sorts of animals make it their home. Natalie doesn\u27t mind, but soon all the animals become too loud and Natalie can\u27t get any sleep. Natalie calls for help, and the zoo teams up with the firefighters to get the animals out of Natalie\u27s hair and make it tame once more. But that won\u27t last long
Natalie Daise reads De Nyew Testament, Luke 2:1-4
No full textVisual and performing artist Natalie Daise reads a passage from the Gullah Sea Island Creole Translation of the New Testament. She then reads the parallel passage in the King James Version. Natalie and her husband, Ron, worked on the translation of the Bible into Gullah. Keywords: Gullah Language, Bible, GUL
First person – Natalie Farrawell
No full textABSTRACT
First Person is a series of interviews with the first authors of a selection of papers published in Journal of Cell Science, helping early-career researchers promote themselves alongside their papers. Natalie Farrawell is the first author on ‘SOD1A4V aggregation alters ubiquitin homeostasis in a cell model of ALS’, published in Journal of Cell Science. Natalie is a Senior Research Assistant in the lab of Justin Yerbury at the Illawarra Health and Medical Research Institute, University of Wollongong, Australia, investigating the molecular processes underpinning amyotrophic lateral sclerosis (ALS), with a particular emphasis on protein misfolding, protein aggregation and inclusion formation.</jats:p
Examining Delinquency in Wave 3 of Welfare, Children, and Families (ICPSR 4701) Data
No full textPSY 5360N Final Project 2021 - Durkee
Author: Natalie S. Tucke
Examining Delinquency in Wave 3 of Welfare, Children, and Families (ICPSR 4701) Data
No full textPSY 5360N Final Project 2021 - Durkee
Author: Natalie S. Tucke
Natalie Bookchin in Conversation with Alexandra Juhasz: Performance of Race and White Hegemony on YouTube
No full textIn November 2019, in her house in Bedford-Stuyvesant, Brooklyn, I joined friend and fellow artist Natalie Bookchin for a conversation about her installation and film Now he’s out in public and everyone can see. The installation, which premiered at Los Angeles Contemporary Exhibitions (LACE), a venerable Los Angeles art space, in 2012, was remade into a film and released as a DVD double feature along with her film Long Story Short by Icaras Films in 2016. Our loose and lively conversation was recorded and transcribed and forms the basis for what follows. We have been in conversation about digital culture, YouTube, video, social media, art, and politics for many years, and thought that this would be a productive way to gain new insight into Natalie’s project and its themes of internet publicness
27th Annual African American Living Legends Series - Natalie Cole and Supervisor Burke
No full textEntertainer, author, and event honoree Natalie Cole (left) stands with Supervisor Yvonne B. Burke (right)
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