1,722,276 research outputs found
Lost without a map: Pursuing primate homologies with functional imaging.
No full textPetkov CI, Kayser C, Logothetis N. Lost without a map: Pursuing primate homologies with functional imaging. In: Brain Mapping Research Trends. New York: Nova Science; 2008: 174-194
Imaging cross-modal influences in auditory cortex.
No full textKayser C, Petkov CI, Logothetis N. Imaging cross-modal influences in auditory cortex. In: Naumer M, Kaiser J, eds. Multisensory Object Perception in the Primate Brain. Springer; 2010: 123-137
Vocal signals as specific stimuli: selective perception of vocalizations
No full textPetkov CI, Kayser C, Logothetis N. Vocal signals as specific stimuli: selective perception of vocalizations. In: Brudzynski S, ed. The Handbook of Mammalian Vocalization: An integrative neuroscience approach. Elsevier; 2009
Input dependence of local field potential spectra: experiment vs theory
No full textHow sensory stimuli are encoded in neuronal activity is a major challenge for understanding perception. A prominent effect of sensory stimulation is to elicit oscillations in EEG and Local Field Potential (LFP) recordings over a broad range of frequencies. Belitski et al. [1] recorded LFPs and spiking activity in the primary visual cortex of anaesthetized macaques presented with naturalistic movies and found that the power of the gamma and low-frequency bands of LFP carried largely independent information about visual stimuli, while the information carried by the spiking activity was largely redundant with that carried by the gamma-band LFPs. To understand better how different frequency bands of the LFP are controlled by sensory input, we computed analytically the power spectrum of the LFP of a theoretical model of V1 (a network composed of two populations of neurons - excitatory and inhibitory), subjected to time-dependent external inputs modelling inputs from the LGN, as a function of the parameters characterizing single neurons, synaptic connectivity, as well as parameters characterizing the statistics of external inputs. Our model consists in a two populations network of excitatory and inhibitory leaky integrate-and-fire neurons. Standard analytical methods using the Fokker-Planck formalism can be used to compute average firing rates of both populations in the asynchronous state of the network, as well as the region of parameters for which this state is stable ([2,3]). The power spectrum of the global activity and the LFP (sum of average excitatory and inhibitory currents onto pyramidal cells of the network) can also be computed in a network of finite size ([2]). Using linear response theory we then calculated the response of the network to a dynamic input ([4]). The final result was an equation giving the LFP power spectrum as a function of the intrinsic parameters of the network and of the parameters characterizing the dynamic input. We then used the analytical expression of the LFP power to fit the experimental data of [1]. The data consists in LFP recordings from primary visual cortex of monkeys, during the presentation of a movie that last several minutes. In order to capture the LFP power changes during the movie presentation, the LFP traces were divided into 2 seconds non-overlapping scenes. We then fitted the LFP power of all the scenes with the same network parameters, but with input parameters free to vary scene-by-scene. We used a simplex method repeatedly applied for different initial conditions. The parameter set that was selected was the one that minimized the reduced chisquare, among sets for which the asynchronous state was stable. The model provided excellent fits of the data. The fitting procedure permitted to extract the values of the firing rates of the excitatory and inhibitory populations and the parameters characterizing the external input for most of the scenes of the movie. These outcomes could be then correlated with experimental firing rates and the features of the movie itself, such as temporal and spatial contrast as well as orientation. We found a significant correlation both between firing rates extracted from fit and the multi-unit activity recorded during the movie and between the parameters characterizing the external input and the features of the movie. These results show how an analytical approach can be used to estimate the key parameters underlying changes in the LFP spectral dynamics
Information Content of Local Field Potentials: Experiments and Models in Principles of Neural Coding
No full text
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Population codes, correlations and coding uncertainty
No full textDespite progress in systems neuroscience the neural code still remains elusive. For instance, the responses of single neurons are both highly variable and ambiguous (similar responses can be elicited by different types of stimuli). This variability/ambiguity has to be resolved by considering the joint pattern of firing of multiple single units responding simultaneously to a stimulus. Therefore, in order to understand the underlying principles of the neural code it is imperative to characterize the correlations between neurons and the impact that these correlations have on the amount of information encoded by populations of neurons. We use chronically implanted tetrode arrays to record simultaneously from many neurons in the primary visual cortex (V1) of awake, behaving macaques. We find that the correlations in the trialto- trial fluctuations of their firing rates between neurons under the same stimulation conditions (noise correlations) in V1 were very small (around 0.01 in 500 ms bin window) during passive viewing of sinusoidal grating stimuli. We are also measuring correlations in extrastriate visual areas and investigating the impact of correlations on encoding stimulus uncertainty by neuronal populations, under different stimulus and behavioral conditions
On the spatial scale of the local field potential - orientation and ocularity tuning of the local field potential in the primary visual cortex of the macaque
No full textThe local field potential (LFP) and, in particular, the gamma-band frequency range (30-90 Hz) have recently received much attention, as numerous studies have shown correlations between LFP and sensory, motor and cognitive variables in various cortical regions. However, the extent to which it reflects the activity of local populations of neurons remains elusive. The issue of spatial scale is central for understanding the origins of the LFP and how this signal can be used to study the functional organization of the brain. We addressed this question by simultaneously recording multi-unit spiking activity (MUA) and LFP from the primary visual cortex (V1) of awake, behaving macaques using arrays of tetrodes. Oriented gratings were used for visual stimulation, applied either binocular or monocular. The columnar organization of stimulus orientation and ocularity in V1 provides an excellent opportunity to study the spatial precision of the LFP signal, because neurons with similar orientation preference are organized at the fine spatial scale of cortical microcolumns (50-100 μm), whereas ocular dominance columns span around 450 μm. As shown before, we find that the increase of LFP gamma-band power is a function of orientation and ocularity of the stimulus. However, the power of the gamma-band contains much less information about the orientation of the stimulus than the MUA recorded at the same site. The average discriminability d' between preferred and orthogonal orientation was 2.46±0.15 for MUA and 1.01±0.05 for LFP (mean ±std). Moreover, we find only a weak correlation between the preferred orientation of the MUA tuning function and that of the LFP (r=0.21, p<0.05). In contrast, we find a strong correlation between the preferred ocularity of the two signals (r=0.53, p<1e-9). We therefore conclude that the gamma-power of the LFP does not reflect well the local activity on the scale of orientation columns but does capture the ocular dominance structure of V1. We suggest that gamma-band activity is generated by ensembles of neurons larger than 50-100 μm. In agreement with a previous study (Liu Newsome, 2006) we find that it more likely resembles the activity of neurons from an area spanning a few hundred micrometers
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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